Category: Events

Sarah Lüdemann
Gallery PM
March 10- 20, 20016

Anna_kurz – kopija

Exhibition opening – March 10 at 7.30pm

“Such is the anti-oedipal strategy: if man is connected to the machines of the universe, if he is in tune with his desires, if he is “anchored”, “he ceases to worry about the fitness of things, about the behavior of his fellow-men, […]. If his roots are in the current of life […] [t]he life that’s in him will manifest itself in growth, and growth is an endless, eternal process. The process is everything.”

(Miller, Sexus)

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National Museum in Gdansk, Poland

February 20 to April 3, 2016.

                Opening: February 20 at 6:00pm                 


stopka-Zagrzeb (1)                                   Rene Bachrach Krištofić, Reconstructing Dotrščina, 2014.

From February 20 to April 3, 2016. a group exhibition Exporting Zagreb, Constructing the Present Memory is being held at the National Museum in Gdansk, presenting 19 Croatian visual artists, under the curatorial concept of Polish curator Katarzyna Kosmala.

The exhibition presents the following artists: Gordana Bakić, Ana Bilankov, Siniša Bovcon, Ines Matijević Cakić, Sebastijan Dračić, Danko Friščić, Martina Grlić, Sanja Iveković, Helena Janečić, Rene Bachrach Krištofić, Andreja Kulunčić, Davor Mezak, Pavle Pavlović, Edita Schubert, Stjepan Šandrk, Igor Taritaš, Zlatan Vehabović, Davor Vrankić, Nataša Vuković.


                                                                                            Zlatan Vehabović – Untitled 1, 2015.

With the aim to demonstrate the rich context and diverse cultural heritage of different parts of Croatia, curator Kosmala wanted to emphasize the formation of ‘new’ histories, while recognizing the region’s remarkable contribution to contemporary cultural and artistic creation. Through the title of the exhibition, Kosmala stresses the importance of recent history in the construction of memories on the present and the key points in the transformation of the practice that takes place today, contextualised back to the 1970s and 1980s, acknowledging technological innovation and visual language of transgression in pioneering works of Edita Schubert (1947-2001) as well as early video experimentation and social activism by Sanja Iveković. Several artists explore and comment on the politics of memory in the context of on-going negotiation with the Europeanization project vis a vis distancing from the Central-european historical grand narrative and cultural identity. Others enter into a more personalised dialogue with the private, exploring reticent spaces of remembrance, politicising the forgotten and the silenced, as well as analysing a construction of memory via a more autobiographical approach, or engaging private archives. The construction of memory and the related processes of rewriting, recalling, remembering, commemorating, exalting as well as forgetting, are ultimately realised by merging the personal with the collective lens.


                                                                                               Davor Vrankić – Interior, 2008.

Opening of the exhibition was held  on February 20. and was attended by the Croatian ambassador in Poland, E. PhD. Andrea Bekić and Croatian artists Gordana Bakić, Danko Friščić, Helena Janečić, Davor Mezak, Pavle Pavlović, Zlatan Vehabović.

Exporting Zagreb exhibition is the result of an international cooperation between the Croatian Association of the Fine Artists (HDLU) and the National Museum in Gdansk courtesy of curator Kosmala established within  third Biennial of painting, when the Polish artists were presented to the audience in Zagreb with an exhibition Exporting Gdańsk.


                                                        Stjepan Šandrk – The Spectacle (excursion), 2015.









 MK     Grad_ZG       HK     


RETROPERSPECTIVE – These Works Could Be…
February 1 – 21, 2016
PM Gallery and Ring Gallery


EXHIBITORS: Grgur Akrap, Željko Badurina, Gordana Bakić, Snježana Ban, Gordana Bralić, Tomislav Buntak, Božena Končić Badurina, Iva Matija Bitanga, Jelena Bračun Filipović, Igor Čabraja, Iva Ćurić, Viktor Daldon, Ivan Fijolić, Ivana Franke, Ivana Gorički, Željka Gradski, Marko Grill, Tea Hatadi, Ana Hušman, Zdravka Ivandija Kirigin, Đorđe Jandrić, Igor Juran, Marija Knezić, Jasminka Končić, Ana Krolo, Ines Krasić, Daniel Kovač, Nina Kurtela, Tomislav Lončarić, Marija Lovrić, Hrvoje Majer, Ivica Malčić, Janko Matić, Miroslav Mirt, Maja Marković, Božica Dea Matasić, Margareta Milačić, Zoltan Novak, Petra Orbanić i Marija Plečko, Dan Philipp, Predrag Pavić, Terezija Pisković Barusić, Vesna Pokas, Iris Poljan, Lala Raščić, Bruno Razum, Davor Rogar, Berislav Šimičić, Natalija Škalić, Tanja Škrgatić, Josipa Štefanec, Anita Šurkić, Karla Šuler, Ivan Tudek, Zorana Unković, Iva Vraneković, Miriam Younis, Ana Zubak

    In the vast multitude of contemporary art production nothing stands out for too long; it is like a work lives only for a moment, only to fall into oblivion a moment later. When things are so fast paced, some things manage to become a phenomenon, and some others, although valuable, inexplicably go unnoticed and remain incidental, forgotten in the end. These are, of course, some commonly adopted conclusions and mechanisms characteristic of the (contemporary) art system, which can remind us that it is sometimes necessary to resist the tendency and habit of fast consumption and oblivion, invite us to give a second look at those artistic values that deserve to be remembered, but slip by too quickly in this time of general relativism, dispersion and indifference.

In the present context it is important to look at individual and group artistic achievements of the generation of artists of the last decade and more, and exhibit together both the works that have become paradigmatic on the young art scene and the ones that passed unnoticed, but which “could be of historical importance.“[1]

We are, in fact, interested in what happens with the works after a length of time. Can “the historically suppressed contents be revised, revalued, though-out and become functional in the future, through the negation of the concept of linear development in time.“[2] In other words, will the exhibition of “forgotten“ works have a more important significance today than in the time when they were created? To what extent is it possible to expect a kind of catharsis, so to speak, or a revaluation, reaffirmation of the established values?

After all, what is of crucial importance for the recognition of an art phenomenon? Is it based on the current trends or an author’s identity, or on a somewhat bitter realization that “the fact that someone was given the opportunity to make an exhibition is more important than what will actually be shown at that exhibition.“[3] These are some of the considerations and fundamental issues that the exhibition wants to clarify and demonstrate, in order to provide at least partial answers, and possibly raise some new questions.

We believe that exhibited together, the selected works may come somewhat as a surprise. The exhibition includes works by several generations of artists who, among other things, share the same educational roots, i.e. they graduated from the Department of Art Education (Academy of Fine Arts in Zagreb). The works in question were created during their studies, in their formative period, the most sensitive period of searching for their own artistic identities. The period covered is not defined by a strictly limited time frame, but by preserved works, their availability, existing documentation, reconstruction, author’s willingness. Also, the specific importance, or characteristic of the proposed concept, is the inner perspective of the protagonists themselves – artists in the role of the curator, who have this experience.

Snježana Ban, Tea Hatadi, Ante Rašić

The exhibition is financially supported by the City Office for culture, Education and Sports Zagreb and by The Ministry of Culture of the Republic Croatia.



Tuesday to Friday 11am – 7pm
Saturday and Sunday 10am – 6pm
Mondays and holidays – closed

Dom hrvatskih likovnih umjetnika
Trg žrtava fašizma 16
10000 Zagreb


[1] Paraphrasing the famous title of Braco Dimitrijević’s photographic works.

[2] Branko Franceschi, from the foreword to Željko Kipke’s exhibition, explaining retrofuturism in his work.

[3] From Goran Trbuljak’s famous work.

Jana Winderen

Curator: Nina Thorstensen
Bačva Gallery
January 14 – 24 and 29, 2016


Exhibition opening – January 14, 7pm


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October 29 – December 6, 2015
Home of HDLU – Meštrović Pavilion
Ring Gallery, Barrel Gallery, Expanded Media Gallery

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Azra Svedružić i Demirel Pašalić
October 13 – 22, 2015


Opening – October 13 at 7pm

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Wednesday - Friday: 11am - 7pm h
Saturday and Sunday 10am - 6pm h
Mondays, Tuesdays and holidays closed


Wednesday - Friday: 3pm - 8pm h Saturday and Sunday: 10am - 1pm h Mondays, Tuesdays and holidays closed

Home of HDLU
Trg žrtava fašizma 16, Zagreb, Map...

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