{"id":1988,"date":"2013-08-29T22:12:50","date_gmt":"2013-08-29T22:12:50","guid":{"rendered":"http:\/\/www.hdlu.hr\/eng\/?p=1988"},"modified":"2013-09-20T08:28:09","modified_gmt":"2013-09-20T08:28:09","slug":"exhibition-attractio-circuli","status":"publish","type":"post","link":"https:\/\/www.hdlu.hr\/eng\/2013\/08\/exhibition-attractio-circuli\/","title":{"rendered":"Exhibition: ATTRACTIO CIRCULI"},"content":{"rendered":"

\"Robert-Puczynski-Big-Black-Skin-silicone-200x270-cm\"<\/a><\/strong><\/span>ATTRACTIO CIRCULI<\/strong><\/span>
\n6.9. \u2013 22.9.2013.<\/strong><\/span><\/p>\n

 <\/p>\n

Opening of the exhibition on September 6th 2013 at 7 pm.<\/span><\/strong>
\nRing Gallery<\/strong><\/span>
\nTrg \u017ertava fa\u0161izma 16<\/strong>, 10000 Zagreb<\/strong><\/p>\n

<\/p>\n

Opening hours:<\/span>
\nWednesday \u2013 Friday 11 am \u2013 7 pm<\/span>
\nSaturday \u2013 Sunday 10 am \u2013 6 pm<\/span>
\nClosed on Mondays, Tuesdays and holidays.<\/span><\/p>\n

Curator: Wlodzimierz Karankiewicz<\/strong><\/p>\n

Project manager: Bo\u017eo Rai\u010d<\/strong><\/p>\n

Exhibiting:<\/strong>
\nBarbara Rai\u010d<\/strong>
\nBeata Bebel<\/strong>
\nWlodzimierz Karankiewicz<\/strong>
\nJaroslaw Kweclich<\/strong>
\nBartosz Fraczek<\/strong>
\nJacek Lydzba<\/strong>
\nRobert Puczynski<\/strong><\/p>\n

Attractio circuli
\n[Circle as a token of the linear type]<\/p>\n

It seems that the similarities and differences\u00a0 occurring in the relation \u201crelator-relata\u201d are dependent on the relationship that occurred at the moment of meeting on a borderline\u00a0 (limes)\u00a0\u00a0 of that what is fluent on both sides. The meeting ( of an entity with infinity) in \u201climes\u201d (a border as a line) is subjected to the effect of both a repulsive lack of relation ( vis repulsiva) and a decisive power of attraction ( vis attractiva).
\n\u201cLimes\u201d that is placed between repulsion and attraction characterises itself with a constant fluency ( fluxus continuus) of a multi-layer modulation record. The process of a steady flow takes place in the spherical area covering \u201c a higher ending\u201d\u00a0 ( acc. to Hegel \u2013 \u201can ending\u201d as a higher form of art), where the aesthetic values\u00a0 of what is non-presentable, ideal, disembodied and unconscious, materialise themselves in the relation occurring between a form, light and texture. This \u201cpolyphony\u201d ( Roman Ingarden) of fluent forms of expression presents a \u201climes\u201d as a border (\u03c0\u03b5\u03c1\u03b1\u03c2, Hegel) of transition (\u03bc\u03b5\u03c4\u03b1\u03b2\u03b1\u03c3\u03b9\u03c2), which is described in the continuum of becoming and transience as \u201caestheticus limes \u201c.
\nAdopting the assumptions of the Aristotle\u2019s\u00a0 science on the continuity of a line R.J. Bo\u0161kovi\u0107 notices the properties of the border by joining the preceding field (\u03c0\u03c1\u03cc\u03c4\u03b5\u03c1\u03bf\u03bd)\u00a0 with the following field (\u1f55\u03c3\u03c4\u03b5\u03c1\u03bf\u03bd) , the continuation of the previous and the future continuum (continuum praecedens\u00a0 and continuum sequens).
\n\u201eLimes\u201das a linear designation of a border is a dynamic entity possessing varied characteristics of\u00a0 creative coexistence and which can come into being in a shape of an obvious circular line. A circle is a curved line that by means of its plasticity and power of attraction enables a circular structure of a discourse with\u00a0 other media[ \u201e cosmic openness\u201d of a discourse about the amphitheatre of\u00a0 Vil\u00e9m Flusser ]. The concept \u201eattractio circuli\u201c constitutes a smooth transition from the concept of\u00a0 \u201ciconic continuum to the concept of the continuation of the continuum (continuitas continui), and by leaving the boundaries of its own language, it creates unlimited (\u1f04\u03c0\u03b5\u03b9\u03c1\u03bf\u03bd) possibilities of\u00a0 putting into existence this what is new. In the relationship \u201c similar-different\u201d , this is just \u201cattraction circuli\u201d that constitutes the Ingarden\u2019s\u00a0 \u201c place of non-description\u201d, which at the moment of its receptive and aesthetic instantiation becomes\u00a0 a \u201c point of exit of productive activity\u201d (R.I.).\u00a0 A circle [circulus]of artists and professorsof Jan D\u0142ugosz Academy in Cz\u0119stochowa: W\u0142odzimierz Karankiewicz, Beata Bebel-Karankiewicz, Bartosz Fr\u0105czek, Jaros\u0142aw Kweclich, Jacek \u0141yd\u017cba\u00a0 along with a sculptorRobert Puczy\u0144ski and a Croatian artist Barbara Rai\u010d\u00a0 maintaining and postulating the continuity of[substratesunderpiece]of continuum brought about the cyclicality\u00a0 of\u00a0 the \u201cinfinite continuum\u201d.
\nThe openness of\u00a0 [infinite] continuum\u00a0 ontoa multi-dimensional plasticity of\u00a0 [\u201e lines and points\u201c] enables the transition to the\u00a0 \u201eattractio-circuli\u201c model, where the horizons of various media meet and join each other.<\/p>\n

Bo\u017eo Rai\u010d<\/p>\n

This exhibition is a result of collaboration between Faculty of Arts Jan Dlugosz University in Cz\u0119stochowa and Croatian Association of Artists. <\/strong>
\nExhibition is kindly supported by the Ministry of Culture of the Republic of Croatia and City Office for Education, Culture and Sport Zagreb. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

\"Robert-Puczynski-Big-Black-Skin-silicone-200x270-cm\"ATTRACTIO CIRCULI
6.9. \u2013 22.9.2013.<\/p>\n

 <\/p>\n

Opening of the exhibition on September 6th 2013 at 7 pm.
Ring Gallery
Trg \u017ertava fa\u0161izma 16, 10000 Zagreb<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/1988"}],"collection":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/comments?post=1988"}],"version-history":[{"count":0,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/1988\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/media?parent=1988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/categories?post=1988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/tags?post=1988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}