{"id":2363,"date":"2014-11-17T13:06:12","date_gmt":"2014-11-17T13:06:12","guid":{"rendered":"http:\/\/www.hdlu.hr\/eng\/?p=2363"},"modified":"2014-11-17T13:06:47","modified_gmt":"2014-11-17T13:06:47","slug":"vlatko-vincek-anti","status":"publish","type":"post","link":"https:\/\/www.hdlu.hr\/eng\/2014\/11\/vlatko-vincek-anti\/","title":{"rendered":"Vlatko Vincek &#8211; ANTI"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p class=\"p1\" style=\"text-align: center;\"><b>Vlatko Vincek<\/b><\/p>\n<p class=\"p2\" style=\"text-align: center;\"><b><i>ANTI<\/i><\/b><\/p>\n<p class=\"p1\" style=\"text-align: center;\">November 18 &#8211; November 27, 2014<\/p>\n<p class=\"p1\" style=\"text-align: center;\">Opening of the exhibition on 18th of November at 7:30 pm<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.hdlu.hr\/eng\/wp-content\/uploads\/2014\/11\/10644623_895183440514820_3051878885459438901_o.jpg\"><img loading=\"lazy\" class=\"alignnone wp-image-2364\" src=\"http:\/\/www.hdlu.hr\/eng\/wp-content\/uploads\/2014\/11\/10644623_895183440514820_3051878885459438901_o-900x612.jpg\" alt=\"10644623_895183440514820_3051878885459438901_o\" width=\"550\" height=\"374\" srcset=\"https:\/\/www.hdlu.hr\/eng\/wp-content\/uploads\/2014\/11\/10644623_895183440514820_3051878885459438901_o-900x612.jpg 900w, https:\/\/www.hdlu.hr\/eng\/wp-content\/uploads\/2014\/11\/10644623_895183440514820_3051878885459438901_o-200x136.jpg 200w, https:\/\/www.hdlu.hr\/eng\/wp-content\/uploads\/2014\/11\/10644623_895183440514820_3051878885459438901_o.jpg 1134w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p3\" style=\"text-align: center;\"><!--more--><\/p>\n<p class=\"p4\">That evoking of the one who is no more, the one who does not exist as a living being, except in memory, is the topic of Vincek\u2019s work <i>Anti<\/i> from 2011\/12, exhibited in the Home of HDLU (Croatian Association of Artists) as a two-channel video installation accompanied by a series of photographs.<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0<\/span><\/p>\n<p class=\"p4\">Each video installation shows the same motif: walking around the cemetery. Camera circles around the graves in the rhythm of the author\u2019s pace, documenting the existing condition in one take.<span class=\"Apple-converted-space\">\u00a0 <\/span>Looking at the black and white image, one can hear the sound of shoes stepping on gravel and leaves, birds singing, and here and there an occasional caw; everything is wrapped in serenity characteristic of cemeteries. One is children\u2019s cemetery (Bre\u017eice) and the other is pet cemetery (Rijeka). While the video is made almost as a side note of a cemetery with the main function to mark and transmit the experience and atmosphere, the photographs are frozen, singled out moments that function as enlarged details of the encounter with the graves of children and animals one has experienced.<span class=\"Apple-converted-space\">\u00a0 \u00a0<\/span><\/p>\n<p class=\"p4\">Vincek compares the memory of the body and the memory of relationships \u2013 to his own and other species. By simultaneously displaying cemeteries, Vincek completely managed to convince us that the sadness and grief for the one with whom a long-term and deeper relationship has been established, the one we loved, be it a child or an animal, are very intense and shocking. Exposure to deadness, to being dead through memorial places, is the same in case of people and animals.<span class=\"Apple-converted-space\">\u00a0 \u00a0<\/span><\/p>\n<p class=\"p4\">The need for remembrance, to have a place functioning as a reminder, exists in both cases.<\/p>\n<p class=\"p6\">Headstone as a memory is one of the ways to inscribe and regulate the relation and keep the memory of someone in such a way to bring peace to the living. The serenity of cemeteries is related to that need, as the projection of inner efforts. In the work <i>Anti<\/i>, Vincek introduces pain, grief, memory and serenity as the fundamental processes related to the deceased, whether they are, in Singer\u2019s terminology, human or nonhuman animals.<span class=\"Apple-converted-space\">\u00a0 \u00a0 \u00a0<\/span><\/p>\n<p class=\"p7\" style=\"text-align: right;\">From the foreword of Sun\u010dica Ostoi\u0107<\/p>\n<p class=\"p1\">The exhibition is financially supported by the Ministry of Culture of the Republic Croatia.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><b>Ba\u010dva Gallery<\/b><\/p>\n<p class=\"p1\"><b>Croatian Association of Fine Artists<\/b><\/p>\n<p class=\"p1\"><b>Trg \u017ertava fa\u0161izma 16, 10000 Zagreb, Croatia\u00a0<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p9\"><b>Working hours:<\/b><\/p>\n<p class=\"p9\"><b>Wednesday to Friday 11am \u2013 7pm<\/b><\/p>\n<p class=\"p9\"><b>Saturday and Sunday 10am \u2013 6pm. <\/b><\/p>\n<p class=\"p9\"><b>Monday, Tuesday and holidays &#8211; closed<\/b><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;<\/p>\n<p class=\"p1\" style=\"text-align: center;\">Vlatko Vincek<\/p>\n<p class=\"p2\" style=\"text-align: center;\">ANTI<\/p>\n<p class=\"p1\" style=\"text-align: center;\">November 18 &#8211; November 27, 2014<\/p>\n<p class=\"p1\" style=\"text-align: center;\">Opening of the exhibition on 18th of November at 7:30 pm<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"alignnone wp-image-2364\" src=\"http:\/\/www.hdlu.hr\/eng\/wp-content\/uploads\/2014\/11\/10644623_895183440514820_3051878885459438901_o-900x612.jpg\" alt=\"10644623_895183440514820_3051878885459438901_o\" width=\"550\" height=\"374\" srcset=\"https:\/\/www.hdlu.hr\/eng\/wp-content\/uploads\/2014\/11\/10644623_895183440514820_3051878885459438901_o-900x612.jpg 900w, https:\/\/www.hdlu.hr\/eng\/wp-content\/uploads\/2014\/11\/10644623_895183440514820_3051878885459438901_o-200x136.jpg 200w, https:\/\/www.hdlu.hr\/eng\/wp-content\/uploads\/2014\/11\/10644623_895183440514820_3051878885459438901_o.jpg 1134w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p3\" style=\"text-align: center;\">\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/2363"}],"collection":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/comments?post=2363"}],"version-history":[{"count":0,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/2363\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/media?parent=2363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/categories?post=2363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/tags?post=2363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}