{"id":3894,"date":"2019-03-12T21:08:20","date_gmt":"2019-03-12T21:08:20","guid":{"rendered":"http:\/\/www.hdlu.hr\/eng\/?p=3894"},"modified":"2019-03-21T15:30:56","modified_gmt":"2019-03-21T15:30:56","slug":"announcement-the-54th-zagreb-salon-without-anesthesia","status":"publish","type":"post","link":"https:\/\/www.hdlu.hr\/eng\/2019\/03\/announcement-the-54th-zagreb-salon-without-anesthesia\/","title":{"rendered":"ANNOUNCEMENT: THE 54TH ZAGREB SALON – WITHOUT ANESTHESIA"},"content":{"rendered":"

THE 54TH ZAGREB SALON OF VISUAL ARTS<\/strong>
\nWITHOUT ANESTHESIA<\/strong>
\nHome of HDLU<\/strong>
\nMarch 26 – May 5, 2019<\/strong><\/p>\n

\"\"<\/p>\n

the 54th ZAGREB SALON – WITHOUT ANESTHESIA,\u00a0<\/strong>according to the curatorial concept of Branka Ben\u010di\u0107 and Tev\u017e Logar, will be opened on Tuesday, March 26, 2019, at 7pm at the Home of HDLU<\/strong>, Trg \u017ertava fa\u0161izma 16.\u00a0The exhibition will remain open until May 5, 2019.<\/p>\n

CONCEPT:<\/p>\n

The proposal of the curator concept of the 54th Zagreb Salon starts with several assumptions and interests, which it tries to gather within an exhibition that is formed as an existing and recognizable salon format, with the intention of presenting recent artistic production and considering the contexts in which artists work.\u00a0Considering the background and perspective of the Zagreb Salon the curatorial proposal is formed kaleidoscopically, as a reflection of multiple perspectives and positions. On the one hand, with a twenty-year break, we recall the City scapes<\/em> (1998) Salon, curated by Igor Zabela, on which this exhibition leans, contemplating continuities and discontinuities, opportunities and perspectives, filled and unfulfilled potentials and aspirations, curatorial practices and institutional history of the exhibition.\u00a0In the light of Igor Zabela’s thinking about the exhibition as a strategy, the exhibition is a global idea, a significant row of procedures and approaches to ensure that the right viewer sees artwork in the right way. Speaking about this, also the exhibition project Without Anesthesia<\/em>, which in its internal logic does not address the general problems of presentation, already contemplates the relationships that arise between works of art, institutions and the public.<\/p>\n

(…)\u00a0Formally, the exhibition is developing on the one hand as a generational project, gathering works by mostly Croatian artists who are positioned in a dialogue with generationally close artists from the cultural space of the former SFRY and the international context, finding loose or distant connections and relationships. The Salon thus reflects the tradition of Zagreb as a place that has been included in the international context since the 1960s as a meeting place for artists, critics and institutions.\u00a0This is the idea that has been inscribed into today\u00b4s curatorial practices. The exhibition aims to explore and gather art practices that focus on opportunities, breaks, transformations, failures, and insecurities in relation to contemporary cultural practices in the social and institutional context.\u00a0Certain metanarratives evolve as a reflection on the format of the exhibition itself, its context, as an attempt to reposition the Zagreb Salon, and it is discursively thought through both through exhibition and the conversations within the side program.<\/p>\n

(…)\u00a0Thought as a space without sharp edges, the 54th Zagreb Salon entitled Without Anesthesia<\/em>, focuses on the social conditioning of aesthetic and conceptual assumptions, the motivation of the artist.\u00a0The exhibition explores tensions and fractures within dominant and invisible narratives, questions of uncertainty, tensions or collapses, of space and time, as a places of inscriptions of\u00a0 fractures or potentials.\u00a0The exhibition and series of events in the side program do not want to be another\u00a0manifestation “frozen in time”, but wants to show the possibility of constant development within the system of contemporary art, which unconditionally needs to establish a relation to social facts.<\/p>\n

(…)\u00a0In order to articulate some of the formed places of interest, we accepted dialogue as a methodology, deciding on collaborative curatorial work as a dialogue, leaning our dialogue on the multitude of artistic positions.<\/p>\n

Branka Ben\u010di\u0107 and Tev\u017e Logar<\/p>\n

ARTISTS:<\/strong><\/p>\n

Marija An\u010di\u0107, \u017deljka Blak\u0161i\u0107 AKA Gita Blak, Ben Cain, Jasmina Cibic, Nemanja Cvijanovi\u0107, Karla \u010cur\u010dinski, Matija Debeljuh, Igor E\u0161kinja, Fokus Grupa, Martina Grli\u0107, Igor Grubi\u0107, Tina Gverovi\u0107, Sini\u0161a Ili\u0107, Paulina Jazvi\u0107, Jelena Jure\u0161a, Petar Katavi\u0107, Kristina Mari\u0107, Ines Matijevi\u0107, Damir O\u010dko, Petra Orbani\u0107, Jelena Petric, Renata Poljak, Viktor Popovi\u0107, Jasenko Rasol, Lala Ra\u0161\u010di\u0107, Davor Sanvincenti, Marko Tadi\u0107, Nora Turato, Katarina Zdjelar.<\/p>\n

Side program coming soon!<\/strong><\/p>\n

\"\"<\/p>\n

Within the 54th Zagreb Salon in the Expanded Media Gallery (PM)<\/strong> the Exhibition of Awarded Authors of the 51st Zagreb Salon: Goran \u0160kofi\u0107 and Vlasta \u017dani\u0107 – From the Other Side<\/strong>, will be opened. According to the decision of the Award jury both Goran \u0160kofi\u0107, for the work On the beach<\/em> and Vlasta \u017dani\u0107, for the work Right to vote<\/em>, won two equal Grand Prix prizes of the 51st Zagreb Salon.<\/p>\n

\"\"<\/p>\n

TICKETS:<\/strong><\/p>\n

20 kn citizens
\n10 kn students and retirees
\n10 kn groups (over 5 persons, fare per person)<\/p>\n

Free<\/strong>\u00a0for regular members of Croatian Association of Artists, AICA, ICOM, Croatian Society of Art Historians and Croatian Journalists\u2019 Association, as well as students of the Academy of Fine Arts and Art History at the Faculty of Humanities and Social Sciences,\u00a0upon presentation of valid documents.<\/strong>
\nTickets are sold at the Croatian Association of Artists box office, during the opening hours of the exhibition.<\/p>\n","protected":false},"excerpt":{"rendered":"

THE 54TH ZAGREB SALON OF VISUAL ARTS
WITHOUT ANESTHESIA
Home of HDLU
March 26 – May 5, 2019<\/p>\n

\"\"<\/p>\n

the 54th ZAGREB SALON – WITHOUT ANESTHESIA,\u00a0according to the curatorial concept of Branka Ben\u010di\u0107 and Tev\u017e Logar, will be opened on Tuesday, March 26, 2019, at 7pm at the Home […]<\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,7,1,6],"tags":[146,699,765,763,764],"_links":{"self":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/3894"}],"collection":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/comments?post=3894"}],"version-history":[{"count":2,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/3894\/revisions"}],"predecessor-version":[{"id":3934,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/3894\/revisions\/3934"}],"wp:attachment":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/media?parent=3894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/categories?post=3894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/tags?post=3894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}