{"id":4261,"date":"2020-09-17T09:31:12","date_gmt":"2020-09-17T09:31:12","guid":{"rendered":"http:\/\/www.hdlu.hr\/eng\/?p=4261"},"modified":"2020-09-22T10:45:51","modified_gmt":"2020-09-22T10:45:51","slug":"exhibition-petra-feriancova-she-was-unaware-of-her-borders-ego-in-habitat","status":"publish","type":"post","link":"https:\/\/www.hdlu.hr\/eng\/2020\/09\/exhibition-petra-feriancova-she-was-unaware-of-her-borders-ego-in-habitat\/","title":{"rendered":"EXHIBITION: PETRA FERIANCOV\u00c1 \u2013 SHE WAS UNAWARE OF HER BORDERS. \/ EGO IN HABITAT."},"content":{"rendered":"

PETRA FERIANCOV\u00c1<\/strong>
\nSHE WAS UNAWARE OF HER BORDERS. \/ EGO IN HABITAT.<\/strong>
\nCurator: Branka Ben\u010di\u0107<\/strong>
\nBa\u010dva Gallery, Home of HDLU<\/strong>
\nSeptember 24\u2013 October 11, 2020<\/strong><\/p>\n

\"\"<\/p>\n

Following all recommendations of the National Civil Protection Headquarters, exhibition SHE WAS UNAWARE OF HER BORDERS. \/ EGO IN HABITAT.<\/strong>,\u00a0by\u00a0Petra Feroancov\u00e1,<\/b>\u00a0will be opened in front of the Home of HDLU, on\u00a0Thursday, September 24<\/strong>\u00a0at\u00a07\u00a0pm<\/strong>\u00a0in front of\u00a0 Home of HDLU.<\/p>\n

“She Was Unawareof Her Borders (Ego In Habitat),<\/em> the first solo exhibition of the notedSlovak artist Petra Feriancov\u00e1 in Zagreb is revealed as the artist’s contactwith the space of the Ba\u010dva gallery. By placing the works in dialogue with theexhibition space, Petra Feriancov\u00e1 points to the tensions between the space,the observer, and the observed. Her gesture is aimed at questioning spatialrelationships and interactions between objects and subjects, staging theperformative character of the exhibition and moving through space. (…)<\/p>\n

(…)\u00a0Petra Feriancov\u00e1 gathers objects and paintings that she exhibits as a kind of archeology of memory. She deals with, Petra points out, “surviving” objects and the aspiration of objects to expose a part of their own history. Through formal and sensual installations, he deals with objects, in relation to human life, their history, existence, duration, survival, fragility, emphasizing the atmosphere and evoking similar feelings in the viewer. In this way, the artist uses specific visual language to create spaces, memories, catastrophe atmospheres, archeological remains, abandoned humanism, and an encyclopedia formed in the space of experimentation between scientific, historical, and private view, potentiality and imagination, connecting intimate and universal.”<\/p>\n

from preface, written by Branka Ben\u010di\u0107<\/p>\n

Preface<\/a><\/p>\n

 <\/p>\n

ABOUT THE ARTIST<\/strong><\/p>\n

Petra Feriancov\u00e1<\/strong> is a Slovak artist, writer and curator. She was born in Bratislava, Czechoslovakia in 1977. In 2013, she represented Slovakia and the Czech Republic at the 55th Biennial of Venice.\u00a0<\/strong> In 2011 she was a resident at ISCP, New York, US, and in 2010, she was awarded the Oskar Cepan Prize<\/em> for young visual artists organised by the FCS Foundation for a Civil Society.<\/p>\n

Selected solo exhibitions include:<\/p>\n

Fabvlae<\/em>, Villa D’Este,Tivoli, IT (2020); Lebenswelt, Significant Other<\/em>, Vienna, AT (2019); Personale<\/em>, Gilda Lavia, Rome, IT; Klaviatura<\/em>, Viltin Gallery, Budapest, HU; I Am Losing My Beauty Together With My Interest in Beautiful Things<\/em>, Baril, Cluj, RO; Becoming Animal<\/em>, Tenderpixel, London, UK (all 2018); Systems, Individuals and Measuring Tools<\/em>, B\u00f2lit Centre d\u2019Art Contemporani, Girona, SP; Survivals, Relicts, Souvenirs<\/em>, Apoteka, Dignano, Croatia, HR; An Exhibition on Doubt<\/em>, MAN_Museo d\u2019Arte Provincia di Nuoro, IT; (all 2016); Vulnerable, Yet Everlasting, Viltin Gallery<\/em>, OFF Biennale Budapest, HU (2015); Things that Happen, and Things that are Done. On Beginnings and Matter<\/em>, Fondazione Morra Greco, Naples, IT (2014);\u00a0 Still the Same Place, An Order of Things<\/em> (with Zbynek Baladr\u00e1n), Czech and Slovak Pavilion, Venice Biennale, IT (2013); A Study of the Secondary Plan, Dumb<\/em>, The House Of Arts, Brno, CZ (2012);\u00a0 Postsriptum to Childe Harold\u2019s Pilgrimge<\/em>, Slovak National Gallery, Bratislava, SK (2011) and Theory of a City or the Possibilities of an A4<\/em>, ISCP, New York, US (2011).<\/p>\n

Organizer:<\/strong><\/p>\n

\"\"<\/p>\n

Supported by:<\/strong><\/p>\n

\"\"\u00a0 \u00a0\"\"\"\"<\/p>\n

*\u00a0Supported using public funding by Slovak Arts Council.<\/p>\n

 <\/p>\n

WORKING HOURS:<\/strong><\/p>\n

Wednesday \u2013 Friday: 11am \u2013 7pm
\nSaturday and Sunday 10am \u2013 6pm<\/p>\n

Mondays, Tuesdays and holidays (May 30): closed.<\/p>\n

 <\/p>\n

The exhibition will remain open until October 11, 2020<\/strong><\/p>\n

 <\/p>\n

*Remark*<\/p>\n

At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
\nThe security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors.
\nVisitors are required to maintain a distance of 2 meters.
\nTouching the exhibits is not allowed.
\nDoorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.<\/p>\n","protected":false},"excerpt":{"rendered":"

PETRA FERIANCOV\u00c1
SHE WAS UNAWARE OF HER BORDERS. \/ EGO IN HABITAT.
Curator: Branka Ben\u010di\u0107
Ba\u010dva Gallery, Home of HDLU
September 24\u2013 October 11, 2020<\/p>\n

\"\"<\/p>\n

Following all recommendations of the National Civil Protection Headquarters, exhibition SHE WAS UNAWARE OF HER BORDERS. \/ EGO IN HABITAT.,\u00a0by\u00a0Petra Feroancov\u00e1,\u00a0will be opened in front of […]<\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3,7,1],"tags":[395,146,699,914,915],"_links":{"self":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/4261"}],"collection":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/comments?post=4261"}],"version-history":[{"count":2,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/4261\/revisions"}],"predecessor-version":[{"id":4271,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/4261\/revisions\/4271"}],"wp:attachment":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/media?parent=4261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/categories?post=4261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/tags?post=4261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}