{"id":4428,"date":"2023-02-14T14:37:04","date_gmt":"2023-02-14T14:37:04","guid":{"rendered":"https:\/\/www.hdlu.hr\/eng\/?p=4428"},"modified":"2023-02-14T14:37:04","modified_gmt":"2023-02-14T14:37:04","slug":"gaia-radic-hanging-gardens-of-babylon-in-karas-gallery","status":"publish","type":"post","link":"https:\/\/www.hdlu.hr\/eng\/2023\/02\/gaia-radic-hanging-gardens-of-babylon-in-karas-gallery\/","title":{"rendered":"GAIA RADI\u0106 – Hanging \u201cGardens\u201d of Babylon in Karas Gallery"},"content":{"rendered":"

On Tuesday<\/strong>, 21.2.2023. Gaia Radi\u0107<\/strong> opens her solo exhibition entitled Hanging \u201cGardens\u201d of Babylon, at 7 pm in Karas Gallery<\/strong> (Ulica kralja Zvonimira 58).<\/p>\n

\"\"<\/p>\n

In her foreword, Katarina Podobnik emphasizes:<\/p>\n

\u201cListed as one of the seven wonders of the ancient world, the fantastic Hanging Gardens of\u00a0Semiramis, as well as the mythical Tower of Babel, are limited by the endless possibilities of a\u00a0\u201climited (…) and [!] delineated surface\u201d (\u0160uvakovi\u0107, 2005: 457). In other words, \u201cthe Hanging\u00a0Gardens of Babylon\u201d, as pictorial records of a fictitious idea (myth), exhibit different possible\u00a0virtual interpretations, simulating in the gallery space what is in itself a simulation. With a\u00a0simulacrum as a representation \u201cthat seems to show something in the world (…) [and] actually,\u00a0does not show anything\u201d (2005: 566-567), Radi\u0107 points to the impossibility of detecting the\u00a0boundaries of physical and simulated reality, especially in the context of everyday life of modern\u00a0post-information society, the intangible extension of which is the virtual reality of the metaverse:\u00a0\u201cIn this magical relationship, it becomes unclear (and irrelevant) to the observer where the reality\u00a0ends and the simulation begins\u201d (Duplan\u010di\u0107, 2022).<\/em>\u201d<\/p>\n

PREFACE<\/a><\/p>\n

Biography:<\/p>\n

Gaia Radi\u0107 was born in Pula in 2001. She is currently studying sculpture at the Academy of Applied Arts in Rijeka, Croatia and architecture at the Faculty of Architecture in Ljubljana, Slovenia. So far, she has had the opportunity to participate in more than twenty group exhibitions in Croatia and Slovenia and has collaborated with the Center for Innovative Media (CIM APURI), SC Gallery in Zagreb, Kortil Gallery in Rijeka, UR Institute from Dubrovnik and Metamedij Association from Pula, among others. She is the youngest member of the Croatian Association of Visual Artists of Istria. She won the second Erste Award of the 36th Youth Salon and was the finalist for the Golden Watermelon 6.0. Young Artists Award. She deals with the correlation of mental, material and virtual space and develops her concepts as a combination of spatial installation and computer graphics.<\/p>\n

The exhibition will be open in compliance with all measures and recommendations of the National Headquarters of Civil Protection, and you can view it in the period from 21.2. to 11.3.2022.<\/p>\n

___<\/p>\n

The Karas Art Hub platform was designed for the purpose of developing different approaches to the presentation, experience and processing of works of art displayed to the public in Zagreb’s Karas Gallery, which are presented to the public with digital content on the gallery’s web platform, including 360\u00b0 shots of installations and video miniatures.
\nhttps:\/\/karasarthub.eu<\/p>\n

Organizer: HDLU
\nWith the support of: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb
\nSpecial thanks: Studentski kulturni centar Sveu\u010dili\u0161ta u Rijeci, Udrugu Metamedij<\/p>\n","protected":false},"excerpt":{"rendered":"

On Tuesday, 21.2.2023. Gaia Radi\u0107 opens her solo exhibition entitled Hanging \u201cGardens\u201d of Babylon, at 7 pm in Karas Gallery (Ulica kralja Zvonimira 58).<\/p>\n

\"\"<\/p>\n

In her foreword, Katarina Podobnik emphasizes:<\/p>\n

\u201cListed as one of the seven wonders of the ancient world, the fantastic Hanging Gardens of\u00a0Semiramis, as […]<\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/4428"}],"collection":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/comments?post=4428"}],"version-history":[{"count":2,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/4428\/revisions"}],"predecessor-version":[{"id":4439,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/4428\/revisions\/4439"}],"wp:attachment":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/media?parent=4428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/categories?post=4428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/tags?post=4428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}