{"id":4854,"date":"2024-04-15T09:07:14","date_gmt":"2024-04-15T09:07:14","guid":{"rendered":"https:\/\/www.hdlu.hr\/eng\/?p=4854"},"modified":"2025-02-06T10:31:06","modified_gmt":"2025-02-06T10:31:06","slug":"second-art-residency-of-eu-project-afar-in-zagreb","status":"publish","type":"post","link":"https:\/\/www.hdlu.hr\/eng\/2024\/04\/second-art-residency-of-eu-project-afar-in-zagreb\/","title":{"rendered":"SECOND ART RESIDENCY OF EU PROJECT AFAR IN ZAGREB"},"content":{"rendered":"

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The upcoming residents within the European project AFAR are artists Liesbeth Bik and Jos Van der Pol (NL). <\/strong>Since 1995, they have been working together as Bik Van der Pol<\/strong>. They live and work in Rotterdam, Netherlands (www.bikvanderpol.net<\/a>). Through their practice Bik Van der Pol aim to articulate and understand how art can produce a public sphere and space for speculation and imagination. This includes forms of mediation through which publicness is not only defined but also created. Their work follows from research of how to activate situations to create a platform for exchange and experience of different knowledges. Bik Van der Pol\u2019s mode of working consists of setting up the conditions for encounter, where they develop a process of working that allows for continuous reconfigurations of places, histories, and publics. Their practice is site-specific and collaborative, with dialogue as a mode of transfer; a \u201cpassing through\u201d, understood in its etymological meaning of \u201ca speech across or between two or more people, out of which may emerge new understandings\u201d. In fact, they consider the element of \u201cpassing through\u201d as vital. It is temporal and implies action and the development of new forms of discourse. Their practice is both instigator and result of this method. They have exhibited their work at numerous venues, as well as participated in biennials such as Gwangju, Istanbul, Jakarta, and Sao Paulo Biennale. Recent and current projects include Paad Bienal 2024 Abi Dabhi (UAE), a research residency project at School of Casablanca (2021\u201323), Casablanca (Marocco), a project in collaboration with Volt, Bergen (Norway), Take Part (2018\u201320), at SFMOMA and Public Libraries, San Francisco (USA), and Far Too Many Stories To Fit Into So Small A Box, Ujazdowski Castle Centre for Contemporary Art, Warsaw (Poland) (2019-20). Bik Van der Pol were co-initiators of artist-run space Duende existing from 1984-2013, where they organised many activities such as artist in residence programs, talks, screenings and exhibition projects, they were course directors of The School of Missing Studies \u2013 a temporary masters programme at Sandberg Institute, Amsterdam (2013\u201315), and they are advisors at the Jan van Eyck Academie in Maastricht. Liesbeth is a core-tutor at Piet Zwart Institute (Rotterdam), and a member, and currently chair, of the Akademie van Kunsten\/Academy of Arts, that is part of the Dutch Royal Academy of Science (KNAW).<\/p>\n

As part of the residency, Bik Van der Pol will familiarize themselves with the local art scene through visits to studios and exhibitions and will create a new artistic work related to the main themes of the project: ecology, sustainability, heritage, and textile arts. This work will be exhibited at the final exhibitions in Zagreb, Vienna, and Bucharest. In addition to the artistic work, they will also give a lecture at the Putolovac Gallery on May 7th at 7:30 PM, followed by a discussion with Leila Topi\u0107, the curator of the Museum of Contemporary Art in Zagreb (AFAR Talk).<\/strong><\/p>\n

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The Artists for Artists Residency Network<\/em><\/strong>, a two-year project (2023-2024), aims to improve the mobility of contemporary visual artists and curators, while creating greater opportunities for women in the arts.<\/strong> The project takes place in four European partner countries – Romania, Germany, Croatia and Austria. The project focuses on the development of new international exchanges and transcultural dialogue and provides a number of new opportunities for art practitioners of all ages, in different artistic media, with a special emphasis on women in art and gender equality. The result of the project will be increased awareness of the importance of cultural mobility at local legislative levels, but also in the general public, especially in the current (post)crisis European context, strengthening EU affiliation and connection with contemporary visual art.<\/em><\/p>\n

The project includes: 12 artist residencies<\/strong> in Zagreb (HR), Mulhouse (FR), Bucharest (RO) and in S\u0103cel, Maramure\u0219 (RO), 4 curatorial residencies<\/strong> in Zagreb and Bucharest, 12 conferences<\/strong> in Zagreb, Bucharest and Vienna and 1 traveling international exhibition<\/strong>, which will first be shown to the public in Zagreb (HR), and then in Vienna (AT) and Bucharest (RO).<\/em><\/p>\n

Within the project:<\/p>\n

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Project partners:<\/p>\n

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Co-funded by:<\/p>\n

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\u00a0\u00a0\u00a0\"\"<\/p>\n

Co-funded by the European Union \u2013 CREA-CULT-2022-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101100309 ]<\/p>\n

Project is co-financed by the Government Office for Cooperation with NGOs.<\/p>\n

The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.<\/p>\n","protected":false},"excerpt":{"rendered":"

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The upcoming residents within the European project AFAR are artists Liesbeth Bik and Jos Van der Pol (NL). Since 1995, they have been working together as Bik Van der Pol. They live and work in Rotterdam, Netherlands (www.bikvanderpol.net). Through their practice Bik Van der Pol aim to articulate and understand how art can […]<\/a><\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[1013,1056,1055,1014,42],"_links":{"self":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/4854"}],"collection":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/comments?post=4854"}],"version-history":[{"count":2,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/4854\/revisions"}],"predecessor-version":[{"id":5316,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/posts\/4854\/revisions\/5316"}],"wp:attachment":[{"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/media?parent=4854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/categories?post=4854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hdlu.hr\/eng\/wp-json\/wp\/v2\/tags?post=4854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}