{"id":5688,"date":"2026-04-27T10:47:03","date_gmt":"2026-04-27T10:47:03","guid":{"rendered":"https:\/\/www.hdlu.hr\/eng\/?p=5688"},"modified":"2026-04-29T11:56:44","modified_gmt":"2026-04-29T11:56:44","slug":"creart-3-0-takeover-2026","status":"publish","type":"post","link":"https:\/\/www.hdlu.hr\/eng\/2026\/04\/creart-3-0-takeover-2026\/","title":{"rendered":"CreArt 3.0: TAKEOVER 2026"},"content":{"rendered":"

TAKEOVER<\/strong>
European Month of Creativity<\/strong>
Curator: Tea Matanovi\u0107
Artists: Tin Do\u017ei\u0107, Tea Stra\u017ei\u010di\u0107, Petar Vranjkovi\u0107, Eva Vu\u010dkovi\u0107, Lana Zubovi\u0107<\/p>\n

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The Croatian Association of Fine Artists<\/strong>, once again on the occasion of the European Month of Creativity, as part of the EU project CreART 3.0<\/strong>, is organizing a small festival of contemporary art in business spaces \u2013 TAKEOVER<\/strong>.<\/p>\n

Young artists (Tin Do\u017ei\u0107, Tea Stra\u017ei\u010di\u0107, Petar Vranjkovi\u0107, Eva Vu\u010dkovi\u0107, Lana Zubovi\u0107)<\/strong>, selected by curator Tea Matanovi\u0107<\/strong>, will \u201ctake over\u201d spaces within renowned companies operating in or connected to the cultural and creative industries: Bornfight, Se\u00f1or, SKUP-A, Ve\u010dernji list, and Yammat FM.<\/strong><\/p>\n

During the selection of artworks, the curator considered the typologies of spaces within the project, as well as the ways content is produced in them, to establish a meaningful interaction between the presented artistic projects and the employees who will encounter them daily.<\/p>\n

Artists will exhibit their works within companies and present them to employees. Each intervention will also be open to the wider public through open days and artist talks.<\/strong><\/p>\n

ARTISTIC INTERVENTIONS:<\/strong><\/p>\n

Tin Do\u017ei\u0107, Dream for the Ether<\/em>, 2026<\/strong><\/p>\n

Dream for the Ether<\/em> is a sound composition that combines an electronic drone performed on a modular synthesizer with field recordings. The work was produced as part of the Takeover 2026 program and will be broadcast on the Zagreb radio station Yammat FM. The composition is structured in two acts: the first is broadcast in the evening and conceived as a space for lulling the listener to sleep, while the second is broadcast in the morning as a subtle sonic transition into waking. Through slowly evolving textures and layered ambiences, the work creates imaginary landscapes and a meditative space between wakefulness and sleep. In this work, I explore how a static, temporally extended composition can be positioned within radio programming, and how the experience of listening to radio changes when it becomes a medium for drifting into sleep. Here, radio appears as an intimate medium and a space for a temporary community of people in sleep.<\/p>\n

Public presentation: May 14, 2026, 12:00<\/strong>
Location: On air at Yammat FM, 102.5 FM (program Scalpel<\/em>)<\/strong><\/p>\n

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Tea Stra\u017ei\u010di\u0107, Soft Takeover<\/em>, 2026<\/strong><\/p>\n

Soft Takeover<\/em> is a spatial intervention in which a corporate office space is gradually occupied by soft, plush objects and characters that act as passive yet persistent agents of change. Instead of aggressive transformation, the work introduces a logic of infiltration through softness, repetition, and presence. Plush objects function as a kind of \u201cemotional parasites\u201d or corporate mascots, distributed throughout the space in a way that imitates everyday use but subtly destabilizes it. The intervention questions the relationships between labor, comfort, control, and aesthetics within the contemporary office environment.<\/p>\n

Within this system appears the motif of the DUCK entity \u2014 a fragmented, distributed character whose history exists across media, time, and space. This character is neither stable nor centralized: it appears as a drawing in a notebook, a photograph of a toy, a digital artifact, or a network phenomenon. Duck exists as an open system: simultaneously a game, bootleg, original, meme, concept, and object. Its presence cannot be predetermined, but is recognized through repetition and chance encounters in \u201cthe strangest places.\u201d<\/p>\n

The project also includes speculative extensions:<\/p>\n