Category: Events

DE/CONSTRUCTION OF PAINTING CONCEPT:

 

The project De/construction of Painting encourages and addresses contemporary artistic practices within the context of the visual arts center of Eastern Germany, Leipzig, which has transformed into a global hub for the arts with a focus on the painting scene. The former industrial complex Spinnerei in the Plagwitz district spans 10 hectares and has been almost entirely renovated, now serving as the heart of the local and international art scene with 12 galleries, the non-profit art center Halle 14, and around a hundred resident artists. The residency program De/construction of Painting tries to answer the following questions:

  • To what extent is the idea of an image/painting still a cultural construct within various dichotomies (Western-Eastern, industrial-post-industrial)?
  • How does the media in which the painting is formed correspond to the concepts of representing different realities?
  • What is individual in the image/painting and what is symbolic or universal?

Part of this year’s residency program will take place within the EU project CreART 3.0, a European network of medium-sized cities aimed at exchanging experiences and best practices to promote contemporary art through a continuous transnational mobility program for emerging artists, curators, and cultural workers, in order to maximize the economic, social, and cultural contributions that creativity can bring to local communities. As part of the EU project CreART 3.0, 4 residencies will take place in Leipzig in 2024, each lasting 5 weeks, including 2 Croatian and 2 foreign artists from the network of cities.

 

In this year’s edition of the project De/Construction of the Painting, as part of the EU project Creart 3.0, the participants are: Kristaps Priede (LV), Klara Rusan (HR), Shima Salehi (FI) and Lana Zubović (HR).

 

Project website: https://residencyleipzig.hdlu.hr/

 

Kristaps Priede (b. 1990, Latvia) is a Latvian conceptual artist whose multidisciplinary practice spans painting, sculpture, documentary photography, installations, and performance. His work delves into contemporary social, political, and environmental issues, using contrast and transformation as central tools to explore destruction and renewal. Priede adapts his methods to each project, often blending natural and man-made elements to challenge perception and provoke reflection. Rooted in both critical inquiry and emotional depth, his art invites viewers to confront inner and societal tensions—offering space for identification, catharsis, and change. With a strong commitment to environmental and human rights concerns, Priede’s practice seeks not just to raise awareness, but to inspire dialogue and collective action through art.

Thinking About Ukraine, 2022

Klara Rusan (b. 1993, Croatia) earned a bachelor’s degree at Academy of Fine Arts in Zagreb at the department of Animated Film and the New Media. Plans of pursuing a career in animation were superseded by her receiving a Masters in Authorial Illustration at the Falmouth University of Art in 2017. Her graduate thesis earned recognition as she was the recipient of the ‘Masters of Art Illustration Authorial Practice: Award for Outstanding Creative Writing’. While being a participant in a number of group exhibitions (36 Mountains festival of illustration, Erste fragmenti, To be continued…comics and visual culture in Croatia), she held her debut solo exhibition at the Oris House of Architecture in 2018 where she presented her first graphic novel Where Do People Go After They Die?. In 2024. she had her first international solo exhibition ADHD – Pool of thoughts.

ADHD – Pool of Thoughts, 2024

Shima Salehi (b. 1991, Iran) is a multidisciplinary visual artist based in Oulu, Finland. Her work explores themes of gender justice, women’s empowerment, and environmental sustainability, blending traditional influences with contemporary techniques. She blends different artistic styles, pushing boundaries to create innovative works that aim to raise awareness and inspire social change. Her creative process is driven by a desire to make an impact and spark meaningful conversations through art.

Girl Trilogy, 2024

Lana Zubović (b. 2001, Croatia) is a multidisciplinary artist whose practice encompasses printmaking, performance, video, painting, installation, and drawing. She earned a Bachelor’s degree (Baccalaurea) in Printmaking from the Academy of Fine Arts in Zagreb in 2023, and is currently pursuing a Master’s in Fine Art Print (MFA Print) at the National College of Art and Design (NCAD) in Dublin. Her work often explores layered narratives through diverse media, with a particular emphasis on collaboration and conceptual depth. Zubović is the recipient of several awards, including the Rector’s Award in 2022 for the interdisciplinary opera-fairytale Animal Farm, created in collaboration between three academies and the Faculty of Textile Technology. In 2023, she was longlisted for the RDS Visual Art Awards in Dublin, Ireland.

Within the project:

Partners:

Co-funded by:

   

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]

Project is co-financed by the Government Office for Cooperation with NGOs.

The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.

DORIAN PACAK
RETRO-MACHO
29.4.-20.5.2025.
KARAS GALLERY

On Tuesday, 29.4.2025. Dorian Pacak opens his solo exhibition entitled Retro-Macho, at 7 pm in Karas Gallery (Ulica kralja Zvonimira 58).

In her foreword, Franka Puharić emphasizes:
With his exhibition, Retro-Macho, Dorian Pacak effectively parodies this contemporary issue by crafting character-sculptures in ceramics – a medium associated with quality, expense, and a long-standing tradition – in contrast to their well-known plastic counterparts (action and scale figures). By presenting carefully selected characters as busts, typically reserved for historically significant figures or wealthy patrons, Dorian elevates their overall value – whether monetary or sentimental. Through the predominantly traditional medium of ceramics, he continues to explore ideas rooted in “popular” collecting, which are particularly evident in the various versions of the He-Man busts. One is painted entirely white to suggest rarity and desirability, similar to the “holographic versions” of Pokémon cards, while simultaneously referencing the unpainted sculptures of the Renaissance and Baroque periods. The same goes for the Ninja Turtle busts, whose names, borrowed from old masters, ironically point to a strong connection with tradition.

PREFACE

Biography:
Born on 5 May 1996 in Zagreb. He graduated from the Fifth Gymnasium in Zagreb in 2015, and in 2017 enrolled in Art Education at the Academy of Fine Arts in Zagreb. He graduated in sculpture in 2023 under the mentorship of Ivan Fijolić. He has exhibited in five solo exhibitions (Crta Gallery, Lauba (Šalji dalje), Polica Gallery, M23 Gallery, Šira Gallery), and in several group exhibitions (Šira Gallery, Karas Gallery, Pallas Projects/Studios Gallery, Canvas Gallery, Bačva Gallery, SC Gallery, etc.). He has also participated in art projects such as Art in the Community: Redefining the Legacy of the Zemlja Group, Grand Tour: Postcolonial Pilgrimage and Age of Pyramid (Mexico), and Staring at the Sea (Ireland). He lives and works in Zaprešić.

The exhibition will be open during the period from 29.4. to 20.5.2025.
Working hours of Karas Gallery
Wednesday, Thursday, Friday 4pm – 8pm
Tuesday, Saturday 10am – 1pm
On Sundays and Mondays closed.
___
http://karasarthub.eu
Organizer: HDLU
With the support of: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb

Aveiro invites 2 artists of younger generation from the CreArt Network to work in Aveiro AiR, between 16th May to 13th June curated by Patrícia Sarrico.

Artists accepted

  • Aveiro will receive two [2] visual artists of younger generation to work on artistic ceramics in the scoop of 17th International Biennale of Artistic Ceramics of Aveiro.
  • During the residency, the artists will have a diversified cultural program, which will aim to widen their knowledge of technology and styles of ceramic production in collaboration with professionals. The projects might focus on object production, design and innovation on tiles and ceramic plates.
  • The final works created will be presented to the public as part of the 17th International Biennale of Artistic Ceramics of Aveiro program, between 18th October 2025 and January 18th 2026. A catalogue will be published.
  • The arrival to Aveiro on May 16th allows the artists to attend the activities of the Bom dia Cerâmica! 2025 program [17th and 18th May], an European event to celebrate de ceramics, from heritage perspective, to crafts production and industrial innovation, from utilitarian uses to artistic approaches and research.

Who can apply?

  • The AiR is open to local artists of younger generation – born or resident – in any of the cities taking part in the CreArt | Network of Cities for Artistic Creation: Artkomas, Kaunas [Lithuania]; Aveiro [Portugal]; Valladolid [Spain]; České Budějovice [Czech Republic]; Clermont-Ferrand and Rouen [France]; Lublin [Poland]; Liepaja [Latvia]]; Lviv Artistic Council “Dialogue” [Ukraine]; Oulu [Finland]; Regensburg [Germany]; Skopje [North Macedonia], and Venezia [Italy], as well as members of HDLU [Croatia];
  • Preference is given to artists with experience or education/training in artistic ceramics. In case of the applicants without university level, proof of equivalent ability must be provided through his/her artistic career.

Proposals are accepted for artworks based on tile’ experimentation. The artists should plan a project that can be realized during the residency.

Conditions and stipend

  • The organization will cover production costs and will pay a grant of 2.000€ to each artist for travel, subsistence, and other expenses.
  • The artists must have a European health card or equivalent.
  • Studio and accommodation will be provide by the organization in the city centre of Aveiro.
  • The artists will work in a local ceramic factory.

 

Aveiro AiR | CreArt programme

  • _Aveiro will provide the support to guide the artists in their work as well as to install in the city and which will organize events to introduce the artists in the local artist’s community, promoting the possibility for the CreArt artists to present their work.
  • _The two selected artists will develop their proposals with a curatorial assistance to define, mature and adequate the projects.
  • _The final public presentation of the works created during the residency will take place as part of the 17th International Biennale of Artistic Ceramics of Aveiro program.
  • _The artists are committed to attend daily and work in the residence. A final report must be produced at the end of the residency.
  • _Part of the works produced must remain in Aveiro and will be incorporated in the Museums of Aveiro Contemporary Ceramic Art Collection – Museum of Contemporary Artistic Ceramics.

 

Are you interested?

Requirements:

  • ID or passport (scanned copy);
  • A short version of your resume/CV [one page A4]
  • Documentation material, recent and related to the project, with technical specifications [maximum 5 examples of representative artworks, 5 pages and 5 pictures. links can be included];
  • A short written project proposal [one A4]. This document should also contain a list of specifications, technical needs and other relevant details, which can help the organization to understand the project.
  • Artists need to register on the CreArt website and upload their portfolio: https://creart2-eu.org/open-calls/

Only applications with complete information will be accepted. The applications must be submitted before 27th April. Aveiro will inform of the results until 5th May. The shortlist will be published in the CreArt website.

If you have any problem to complete the application form please send the portfolio in PDF to creart@fmcva.org  

The participation in this call implies the acceptance of these bases, and the artists selected should include a reference of in all their future communications that have been selected to participate in the CreArt Artists in Residence program, in Aveiro – project co-funded by the European Union – Creative Europe program.

Within the project:

Partners:

Co-funded by:

   

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]

Project is co-financed by the Government Office for Cooperation with NGOs.

The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.

Healing Nature is an innovative project created by Dr. art. Melinda Šefčić and Dr. phil. Lea Vidaković. The core idea of the project is based on a holistic approach to healing, recognizing art and culture as key elements in promoting mental, spiritual, and physical well-being. At the European level, the project supports interdisciplinary research on the impact of art on the well-being of individuals and communities, with a special focus on inclusivity and sustainability.

The workshop segment of the project is aimed at fostering social inclusion through workshops on art, animation, and technology with children, whose contributions and creative outputs will become an integral part of the final artworks. These workshops are conducted with specifically selected groups of children, such as those without parental care and children with special needs, thereby further emphasizing the project’s commitment to social engagement. These activities encourage artistic creativity, imagination, motivation, play, and social integration among children. The “from child to child” principle applied during the workshops supports the project’s goals and raises awareness of the importance of social engagement.

In Bulgaria, workshops will be led by a team of psychologists and artists working with children with special needs and children without parental care, and the results will serve as the foundation for the final mural and animation design. The Portuguese partners will focus on the technological aspect through workshops held after the mural is installed, working with children from school communities in collaboration with the Monstra Animation Festival. The project includes six workshops (two per country), involving up to 90 participants.

As part of the project, the Croatian Association of Fine Artists (HDLU) organized two art workshops with children without adequate parental care. The aim of these workshops was to encourage children’s creative expression and to incorporate their artwork into the final mural design, which will become part of an interactive experience in a hospital setting.

The first workshop was held on February 24, 2025, at Kuća sv. Franje in Vugrovec and was attended by 15 children aged 6 to 14. Under the guidance of artist Melinda Šefčić, the children created drawings of endangered animals, birds, and insects using markers and colored pencils. Through both structured and free drawing sessions, a total of 30 artworks were produced. In addition to creative expression, the workshop included an educational component about nature conservation. The children also took the initiative to create a picture book and drawings with supportive messages for hospital patients.

.

 

The second workshop took place on March 18, 2025, at SOS Children’s Village Lekenik, with 12 children aged 6 to 11 participating. Following a similar program to the first workshop, the children, guided by artist Melinda Šefčić, created 25 drawings themed around endangered animals and were also given the opportunity to draw freely. The workshop had educational and therapeutic dimensions.

In total, 27 children participated in the two workshops, creating 55 drawings, which will be incorporated into the final mural. These workshops significantly contributed to the children’s emotional development, strengthened their sense of connection to the community, and increased awareness of the importance of nature conservation and social inclusion through art.

***

The Croatian Association of Fine Artists is the lead partner of the European project Healing Nature – Animation for Health and Well-being in Children Hospital Environments, implemented in collaboration with Universidade Lusófona / Cofac from Portugal and New Bulgarian University from Bulgaria. Most of the current artworks in hospitals consist of traditional murals, paintings, and sculptures, while there is a lack of contemporary interactive works and animations in children’s hospital waiting areas—artworks aimed at supporting mental, physical, and spiritual well-being. The HEALING NATURE project will create an interactive experience using augmented reality (AR) with animated content to provide a welcoming and soothing hospital atmosphere, offering a calming and distracting experience for children. The project builds upon two previously realized pilot projects authored by Dr. art. Melinda Šefčić and Dr. phil. Lea Vidaković, implemented in the Zagreb Clinical Hospital Center in 2021 (Digital Fauna) and 2023 (Animated Forest World in Hospital Spaces). The project includes: 3 murals in hospitals in Croatia, Bulgaria, and Portugal, 3 augmented reality experiences in hospitals in Croatia, Bulgaria, and Portugal, 6 workshops with children, 1 research study on the impact of such content on patients and hospital staff, 1 digital booklet presenting the project’s results, 3 press conferences to present the project outcomes.

Within the project:

Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

[Project Number: 101173267]

Project is co-financed by the Government Office for Cooperation with NGOs.

Co-funded by the Government Office for Cooperation with NGOs of the Republic of Croatia. The views expressed in this release are the sole responsibility of the Croatian Association of Fine Artists and do not necessarily reflect the stance of the Government Office for Cooperation with NGOs of the Republic of Croatia.

MARLEN BAN
AMORE IST GONE
8.4. – 26.4.2025.
KARAS GALLERY

On Tuesday, 8.4.2025. Marlen Ban opens her solo exhibition entitled Amore ist gone, at 7 pm in Karas Gallery (Ulica kralja Zvonimira 58).

In her foreword, Tena Bakšaj emphasizes:
„As in the previous work, text forms the central element of this site-specific installation. In this case, the text takes the form of a message sent to a loved one after the end of a relationship, which serves as a representation of pathos and youthful innocence in the pursuit of romantic attachment, but is also a kind of self-reflection or an attempt to break the illusion we have created about someone but also functions as self-reflection, an attempt to dispel illusions created around another person. The title itself, using three different languages in one sentence, subtly hints at a subcontext – the virtual quest for a partner often leads to relocation abroad, and relationships with foreigners frequently culminate in a moment of parting. Whether it is the fear of separation or of connection, of intimacy or the economic opportunities that lead to moving, Marlen Ban skilfully reflects broader social phenomena and mechanisms through the synthesis of personal thoughts and emotions, weaving social engagement into her chosen themes.”

PREFACE

Biography:
Marlen Ban (b. 1999) holds a BA in Animated Film and New Media from the Academy of Fine Arts in Zagreb. She is currently completing her studies in Administrative Law at the Faculty of Law in Zagreb. Through her artistic practice, she explores social and personal relationships, as well as her own emotional states and fears. Her site-specific installations examine the concepts of space and the individual within it. She has participated in solo and group exhibitions in Croatia and abroad. She is currently a member of the production team at the Miroslav Kraljević Gallery and volunteers at the Sveti Ivan Psychiatric Hospital, where she manages art workshops.

The exhibition will be open during the period from 8.4. to 26.4.2025.
Working hours of Karas Gallery
Wednesday, Thursday, Friday 4pm – 8pm
Tuesday, Saturday 10am – 1pm
On Sundays and Mondays closed.
___
http://karasarthub.eu
Organizer: HDLU
With the support of: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb

DESCRIPTION:

Karas Gallery is an exhibition space of the Croatian Association of Fine Artists (HDLU) with a long tradition in the contemporary art scene. After many years of activity at Praška 4, since 2018, it now operates at the address Kralja Zvonimira 58. Recognizing the need to redefine and create a new cultural identity for the neighborhood where Karas Gallery is located, within the EU project CreART 3.0, a collaborative artistic program titled KARAS + KVART is organized, envisioned in a collaborative and co-creation model between one local artist and one artist from the network. Artists will explore the neighborhood for 3 weeks, and the final result will be an artistic work or initiative in the public space of the gallery neighborhood in October. As part of the KARAS+KVART 2025 project, Petar Vranjković has been invited to participate, and an international artist will be selected through an open call.

Preference will be given to artists who are interested in and expressing themselves through innovative visual, video and/or sound practices, as well as those who are interested in re-activating the Gallery and surrounding neighborhood through working with the local community. Artist Petar Vranjković envisioned a project based on two connecting concepts: one for American urban sociologist Ray Oldenburg’s gallery as a third space, and one for art historian Ida Biard’s Gallery of Neighbors (La Galerie Des Locataires). More precisely, these concepts have informal interaction and transfer of knowledge at their core, and by applying these ideas, the project aims to further democratize the gallery to the microstructure of its immediate neighborhood and broader citizen community. By doing so, the gallery aims to become a place for temporary residence, an extension to people’s living rooms in which the community and artists discuss and work together to explore, via different research methods (including interviews and workshops, shared meals and art), social meanings, as well as the roles the gallery has or can have to express and answer to the needs of the local public.

 

Petar Vranjković (b. 1997) is an transmedial artist and researcher who uses objects from archives, photography, video, printmaking, and design in his research– and artistic–based processes. He holds an MFA in Animation and New Media from the Academy of Fine Arts in Zagreb.

He is interested in shaping memories and the idea of storytelling through artistic narratives. One of the central themes of his work is the intimate history of the individual, which is an interpretation of the heritage, tradition, and culture of a community and time.

Vranjković’s recent solo exhibitions took place at Kamba, Zagreb (2024); Collection of Vjenceslav Richter and Nada Kareš Richter, Zagreb (2023); Miroslav Kraljević Gallery, Zagreb (2022). His work was  included in the 42nd Split Salon and 36th Zagreb Youth Salon.

 

WHO CAN APPLY

  • Artists of younger generation born or residing in one of the cities in the project network: Kaunas (Lithuania), Liepaja (Latvia), Skopje (North Macedonia), Aveiro (Portugal), Valladolid (Spain), Lublin (Poland), Venice (Italy), Clermont-Ferrand and Rouen (France), České Budějovice (Czech Republic), Oulu (Finland), Regensburg (Germany)
  • Ukrainian artists through our collaboration with the Lviv Artistic Council “Dialog”

 

GRANT CONDITIONS:

The Organizer (HDLU) will provide:

  • Three-week accommodationfor artists in residence (October 2025)
  • Round-trip ticket expenses to and from Zagrebup to a maximum of 400 EUR
  • Artistic feein the amount of 1,200 EUR/gross
  • Daily allowanceof 30 EUR/day
  • Production cost of new artwork(s) in the amount of 5,000 EUR/gross, resulting from the joint action and collaboration between artists.
  • Report: Upon return from the residency, artists are required to submit a brief narrative report containing evidence of newly created works (in English), and boarding passes if traveling by plane.
  • Contract: Before going to the residency, the artist will sign a contract with HDLU, committing to participating in CreArt promotional activities until the project ends in 2026, in agreement with HDLU.

 

Only complete and timely applications will be considered.

Selection Committee: Nika Šimičić, Mihaela Zajec, and Petar Vranjković

The Committee is not obliged to justify the selection decision.

HOW TO APPLY:

Send an email to: karas.hdlu@gmail.com with the subject: KARAS+KVART, including the following documentation:

  • ID card or passport (scanned)
  • Motivational letter (max 500 words) and a brief written project proposal (one A4 page)
  • Curriculum vitae in English
  • Portfolio of works and artistic activity (in PDF, max 7 MB; for video works – include links to online publications in the PDF)
  • Artists need to register on the CreArt website and upload their portfolio: LINK

 

DEADLINES:

Applications accepted until: April 13, 2025

Announcement of results: no later than May 16, 2025

Contract signing with HDLU: two weeks before departure

Submission of report: 1 week after the end of the residency

 

QUESTIONS:

The contact person for all questions is Mihaela Zajec, karas.hdlu@gmail.com. Questions will be accepted only via email.

 

Within the project:

Partners:

Co-funded by:

   

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]

Project is co-financed by the Government Office for Cooperation with NGOs.

The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.

“Liepāja 2027” is inviting two performance artists of younger generation from the CreArt Network to participate in the Liepāja AiR residency from June 16th to July 17th, 2025. During their stay, the artists will engage in a diverse cultural program designed to expand their understanding of the city and its surrounding region. The expected outcome of the residency is a community-engaging site-specific performative work. The outcomes of the residency will become part of the “Agora of Values” public program organized by Liepāja 2027

The “Agora of Values” project is a series of five forums that form the core of the “European Dream” section of the “Liepāja 2027” program. By bringing together prominent experts from Latvia and Europe, the forums will combine contemporary debates on issues important for Latvia, Europe, and the planet, innovative knowledge exchange formats, diverse audience engagement, and artistic elements that will enrich a wide range of discursive events with a comprehensive aesthetic experience.

The first Agora will take place in the year 2025.  At the core of the forum’s idea is the widely accepted principle in modern environmental studies that nature and culture must be seen as an inseparable network of relations – natureculture – beyond the entrenched opposition that still exists in our minds, attitudes, and institutions. From the anthropocentric view characteristic of the early modern era, which saw humans as the crown of creation and rightful users of nature, we have arrived at a posthumanist vision of humanity as one species among many. Nature’s agency, as the core of the forum’s concept, allows for the exploration of a vast array of topics – from renewable energy to plant intelligence – and for articulating scenarios of harmonious and non-hierarchical coexistence between humans, nature, and other species. The discussions of the forum will engage with relevant theoretical perspectives in ecological thinking, such as hydrofeminism, new materialism, agential realism, dark ecology etc.

 

WHO CAN APPLY?

Performance artists of younger generation with experience in public participation and engagement projects, and whose work focuses on the following topics and fields: participatory performance art practices informed by a postanthropocentric worldview that stresses non-hierarchical immersion of human beings in the environment.

Artist Residency is offered for 2 artists who are:

  • born or currently  living in any of the cities that participate in ‘CreArt. Network of Cities for Artistic Creation’: Kaunas (Lithuania), Valladolid (Spain),Skopje (Northern Macedonia), Aveiro (Portugal), Lublin (Poland), Venice (Italy), Rouen and Clermont-Ferrand (France), Ceske Budejovice (Czech Republic), Oulu (Finland), Regensburg (Germany).
  • Members of Croatian Association of Fine Artists (HDLU).
  • Ukrainian artists in cooperation with the Lviv Art Council ‘Dialog’.

The selection criteria will aim to represent the quality and diversity of various forms of performance art. Applicants must have a university-level degree in an artistic field or demonstrate equivalent expertise through their artistic career.

 

GRANT CONDITIONS

The Organizer (Liepāja 2027) will provide:

  • Four-week accommodation for two international artists and studio space (if needed);
  • Round-trip ticket expenses to and from Liepāja up to 400 EUR;
  • Artist fee of 1.600 € (Gross amount) in two payments (50:50): first part at the beginning of the residency and second part after the submission of the final report.
  • Production cost in the amount of 800 EUR/gross, result presented in the project “Agora of Values”
  • The artist must have a European health insurance card or its equivalent
  • Report: Upon return from the residency, artists are required to submit a brief narrative report containing evidence of newly created work/s (in English), and boarding passes if traveling by plane.
  • Contract: Before going to the residency, the artist will sign a contract with foundation “Liepāja 2027”.

 

HOW TO APPLY

In a single PDF document:

  • identity card or passport
  • a short version of your CV (one or two A4 pages)
  • an artist’s portfolio, selection of recent projects (maximum 10 pages and 10 images, you can include links)
  • A brief project proposal (maximum one A4 page) outlining why you would like to undertake a residency in Liepāja, including a raw idea description of your performance, including the directions you plan to explore.

Application documentation must be submitted via the artists’ platform on the network’s website: https://creart2-eu.org/open-calls/

 

DEADLINES:

  • Applications accepted until: March 31,  2025
  • Announcement of results: no later than April 30, 2025
  • Contract signing with foundation “Liepāja 2027”: two weeks before departure
  • Submission of report: 1 week after the end of the residency

Only complete and timely applications will be considered.

Selection Committee: Baiba Bartkeviča, Anna Priedola, Igors Gubenko, Tīna Pētersone

The Committee is not obliged to justify the selection decision.

 

QUESTIONS:

The contact person for all questions is Sabine Jermalovica Sabine.jermalovica@liepaja2027.lv

https://www.liepaja2027.lv

Within the project:

Partners:

Co-funded by:

   

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]

Project is co-financed by the Government Office for Cooperation with NGOs.

The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.

HDLU