Anita Kontrec
KRUŽNI TOK /ROUNDABOUT
Curator: Iva Körbler
Prsten Gallery
September 8-30, 2016

Exhibition opening: Thursday, September 8 at 7.30 pm
Anita Kontrec’s artistic oeuvre is connected with the European tradition of the second half of 20th century in a deep and complex way. Since her first solo exhibition in Zagreb in 1986 she aimed at artistic expression beyond any dogmas, trends, group and radical artistic ideologies. She tended towards a broader cultural interdisciplinary synthesis. In different phases of her work, her art was connected and inspired by literary and poetic topics, archaeology, anthropology and ethnology of various non European cultures. Regardless of the artistic medium she uses for expressing her messages her concept is guided by the idea of textual inscription or palimpsest referring to the „archaeology of recalling.“ In Anita Kontrec’s artistic works all inscriptions (which often have the character of a performance), as well as her picture objects and sculptures made of synthetic resin with pigments – indirectly mirror the issue of forgotten ancient wisdom, scripts and symbols belonging to different cultures and civilizations. Should we have to define the artworks of Anita Kontrec by a few major characteristics, we could observe the recurrence of themes related to writing, architecture and colour.
Her artistic style is comprised by the tradition of lyrical abstraction, her interpretation of „tender geometry“ and healing-art, as well as calligraphic gestural painting. /…/ Her deep love for knowledge and the spiritual inheritance of mankind can be traced to her interdisciplinary projects such as „Recall Byblos“ and „Recall Atlantis.“ In an archetypal dimension, Anita Kontrec is always coming back to the origins of the Mediterranean and European civilization by communicating with material and immaterial worlds by means of language and writing. Her sculptures are her personal homage to the Towers of Babel, as well as to mystic Croatian medieval fortresses. Words and letters inscribed in her sculptures or on paper are often ancient scripts manifesting multi-layered meanings of Sanskrit, Phoenician or Japanese writing, as well as the autochtone Croatian script glagoljica or bosnian medieval script bosančica. Her artistic idea is deeply human, dedicated partly to women and their position in the history. At the same time, although sometimes very personal (like in her Calligraphic Landscapes – homage a Sei Shonagon), Anita Kontrec is still timeless, cosmopolitan and universal.
Iva Körbler

EXHIBITION PROGRAM:
Thursday, 8th September 2016 at 7.30 p.m.
Exhibition opening
The exhibition is open till Friday, 30th September.
Wednesday, 14th September at 6 p.m.:
ROUND TABLE – Talk about contemporary art scene in Germany and artist’s life between Zagreb and Cologne
Thursday, 29th September at 6 p.m.
Promotion of the Monograph KRUŽNI TOK / ROUNDABOUT and Finissage

BIOGRAPHY
Anita Kontrec was born in Zagreb, Croatia , lives since 1989 in Cologne, Germany. She began her artistic career in 1986 with her first personal exhibition “Shapes of Memory” in Zagreb; in 1993 she elaborated the concept and organised interdisciplinary inter-medial project RECALL BYBLOS in cooperation with artists, scientists and publicists from Zagreb and Cologne presented in Ludwig Forum für Internationale Kunst in Aachen , Germany and Museum and Gallery Center MGC in Zagreb. She had numerous solo and group exhibitions in Croatia, Germany and Austria. Her artworks are in several public and private collections in Croatia, Germany and Switzerland.
With her picture-objects Anita Kontrec researches the touching points between sculpture and painting as well as the effects of color and light in new spatial and light constellations of contemporary architecture. Achitecture, Writing and Color are the major topics that she will continue to explore in her coming projects.
WORKING HOURS
Wednesday to Friday 11am – 7pm
Saturday and Sunday 10am – 6pm
Mondays and holidays – closed
Dom HDLU
Trg žrtava fašizma 16
10000 Zagreb
Marta Tuta
LUNCHES
September 2-11, 2016
Gallery PM

Exhibition opening: Friday, September 2 at 7pm
Danko Friščić, Davor Mezak and Frane Rogić
THREEFACE 2
3.8. – 28.8.2016.
Gallery Bačva

Exhibition opening on Wednesday, 3.8.2016. at 7.00pm
Results of the competition for exhibition program in 2017
Croatian Association of Fine Artists would like to thank all the participants for a large number (92) of high quality applications and participation on the competition for exhibition program in 2017.
HDLU Artistic council consisting of Branka Benčić, Tomislav Buntak, Ivan Fijolić, Kristian Kožul (substitute for Koraljka Kovač Dugandžić), Suzana Marjanić, Josip Zanki and Ivica Župan have selected the following exhibition to be included in the programme proposal for 2017.:
The 51st Zagreb Salon Challenges to Humanism present
NICOLE HEWITT IN COLLABORATION WITH JASMINA RAVNJAK, VIDA GUZMIĆ AND IVAN SLIPČEVIĆ
This Woman’s Name is Jasna ep 06 Metaphors, draft for a historical novel in the form of a ten-episode film
On Thursday, July 7, 2016 at 7.00 PM
Prsten Gallery

In the sixth episode, Jasna contemplates the power of metaphors, archives, repositories and models.
As part of the film mutation project that she has been working on for two years, Nicole Hewitt is presenting the draft for a historical novel in the form of multiple-sequel film/performance. Its starting point are the interspace between personal and official histories, the process of existence and absence from media, archives and society, the translation and transmission of social perceptions, the admission and omission from a collective memory of content, messages, images, films and theories. Building on the memories of an expert witness, her own personal memories, Jasna’s memories, the discourses that have shaped her as an author, the theories that have shaped her as a subject, the portrayals that have shaped her as an object, the war migrations that have shaped us all as dislocated and never in harmony with our own history, Hewitt’s historical novel in the form of a film allows an approach that derives from the documentary, but implies a narrative procedure and the fictionalizing of interrupted histories in various forms – film, text, slide show, performance / recitation.
On the project:
In 1991, Jasna was 23 years old. She studied comparative literature and philosophy at the Faculty of Humanities and Social Sciences at the University of Zagreb. In 2015, Jasna is 46 years old and works as an administrator at the International Criminal Tribunal for the former Yugoslavia in Hague. (…)
Nicole Hewitt has been expanding her previous work in the media of film, video, text and performance towards exploring the possibilities of documentary form within a fictional structure, while examining the specific qualities of film, verbal expression and the relationship between “the representation” and “the rhetoric”, as well as “fictional” and “real” time. Her new pieces, such as the performance series This Woman’s Name is Jasna focus more on expressing the language in fiction, recitative form, song and testimony.
In addition to film, Hewitt is engaged in the study of contemporary art in theory and practice. In 2013, she completed a PhD at the Slade School of Fine Art in London, with a doctoral thesis on the relationship between film, narration, dance, history and rhetoric.
She has been working as a curator since 2003, having conceived and realized a number of workshops, exhibitions and seminars. Hewitt currently teaches at the Department of animated film and new media at the Academy of Fine Arts in Zagreb. From 2009 to 2011, she was an external associate at the Department of Visual Cultures of the Goldsmiths College, and from 2014 to 2015 at the Cass School of Fine of the Art London Metropolitan University.
The 51st Zagreb Salon: Challenges to Humanism side program
MILICA TOMIĆ
Artist talk: What is the name of the war today?
Friday, June 24 at 6.00 pm
HDLU Club
