Category: Events

IVANA GALIĆ
ICICLES AND GLASS BEADS
2.6.-23.6.2026.
KARAS GALLERY

On Tuesday, 2nd of June Ivana Galić opens her solo exhibition entitled Icicles and Glass Beads at 7 pm in Karas Gallery (Ulica kralja Zvonimira 58).

In her forward, artist emphasizes:
“ In Icicles and Glass Beads, I explore the material of glass through the media of light, texture, form, movement and sound, creating new environments – visual, auditory and tactile; material and digital; calm and harmonious; spontaneous and planned. (…)
Glass, also described as an amorphous solid, a rigid liquid or a supercooled liquid, is characterised on the molecular level by an unusual and irregular arrangement of atoms that prevents it from being classified as either solid or liquid, becoming a category of its own instead. This elusive state of glass prompted me to reflect, through this work, on polarities and the in-between states they open up. The space between, within which this work moves, includes the relationship between the natural and the digital, security and insecurity, stability and instability, ease and anxiety, chance and predetermination, rigidity and freedom, as well as control and surrender. Like glass, which neither settles into a solid, clearly defined substance with fixed boundaries nor yields entirely to the free drift and flow of water, I too swim somewhere between these polarities, resting at the intersections of their tensions and entanglements.”

Preface

Biography:
Ivana Galić (b. 1997) graduated in New Media from the Academy of Fine Arts at the University of Zagreb. In her work, she draws inspiration from everyday life, which she experiences as both ordinary and filled with fantasy and wonder, carrying within it the potential for imagining new realities. The real and the surreal intertwine, creating a new, third space of imagination. She finds inspiration in her own experiences, in different states of consciousness such as daydreaming and meditation, in various emotional and perceptual states, as well as in favourite books, stories told by people around her, internet culture, her playlists and fantastical worlds. She describes her genre as ethereal wave–post-internet romanticism. Dreamlike atmospheres and nostalgia are often present in her work. She is interested in the relationship between nature, technology and the human being, as well as in themes of slowing down and resistance through rest. She enjoys connecting the digital and the natural, creating dreamlike worlds, safe zones and micro-utopias.

The exhibition will be open during the period from 2. to 23.6.2026.

Working hours of Karas Gallery
Wednesday, Thursday, Friday 4pm – 8pm
Tuesday, Saturday 10am – 1pm
On Sundays and Mondays closed.
___
Organizer: HDLU
With the support of: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb

Liepāja 2027 is inviting two visual artists of the younger generation for a summer residency taking place from July 22 to August 19, 2026. The works created during the residency will become part of the programme of the project “Lāčplēša Garden Festival,” a partner of Liepāja 2027.

The residency theme is ecological restoration, aimed at accelerating environmental transformation and reshaping public perception of Karosta as a place marked by the scars of Soviet occupation in the urban landscape.

Covering roughly one-third of the city, Karosta (War Port) was originally constructed on the Baltic Sea coast in the late 19th century as a formidable naval base. For a century, it remained a heavily restricted military zone, completely cut off from the residents of Liepāja.

When the Soviet Union collapsed and the Russian army withdrew to Kaliningrad in 1994, they left behind elderly relatives and civilian personnel. This population found themselves isolated – unfamiliar with and disconnected from the laws and systems of the newly independent Latvian state – turning Karosta into a socially segregated neighborhood for many years.

The military departure also left a vast landscape of abandoned facilities, many of which fell victim to looting and vandalism. Today, these decaying structures – juxtaposed against forested marshlands, dunes, and wild grasslands – are slowly being reclaimed by nature, creating a unique backdrop that draws curious tourists.

Currently, Karosta is experiencing a modern revival as part of the Liepāja Special Economic Zone. Industrial development is actively reshaping the streetscape and community spaces, bridging the area’s harsh military past with a progressive future.

As a result of the residency, artworks are expected to contribute to changing public perception of Karosta by transforming a degraded former military area into an ecologically healthy, socially safe, and attractive territory. The placement of works outdoors in Lāčplēša Garden requires an environmentally responsible approach. The use of eco-friendly materials and sustainable exhibition methods is encouraged in the creation and display of artworks.

The proposed artworks may be interactive, engaging viewers as active participants, or sculptural, serving as visual anchors in the park’s outdoor environment. Artworks should be designed to allow easy dismantling, transport without heavy machinery, and simple recycling or reinstallation elsewhere.

During the first week of the residency, the artist is expected to give a short presentation (up to 20 minutes) about their previous creative practice and/or their planned artistic concept for Karosta, followed by an open discussion with local residents and art enthusiasts.

The expected life cycle of the artworks is as a pop-up exhibition (for several weeks). After the exhibition ends, the artworks are not intended to be preserved or transported back to the artist’s home country.

Who can apply?

Visual artists of the younger generation whose creative practice focuses on installation, spatial objects, sculpture, mixed media, performance (including participatory performance), as well as community participation and engagement projects are invited to apply.

The artist residency is offered to two artists who meet one of the following criteria:

  • Were born in or currently live in one of the cities participating in the “CreArt. Network of Cities for Artistic Creation”: Kaunas (Lithuania), Valladolid (Spain), Skopje (North Macedonia), Aveiro (Portugal), Lublin (Poland), Venice (Italy), Rouen and Clermont-Ferrand (France), České Budějovice (Czech Republic), Oulu (Finland), or Regensburg (Germany).
  • Members of the Croatian Association of Fine Artists (HDLU).
  • Ukrainian artists in cooperation with the Lviv Art Council “Dialog”.

The selection criteria aim to reflect the quality and diversity of visual art presented in outdoor public spaces. Candidates are expected to have higher education in an art-related field or equivalent professional experience, demonstrated through their artistic career.

Grant Conditions

The Organizer (Liepāja 2027) will provide:

  • Four-week accommodation for two international artists and studio space;
  • Round-trip ticket expenses to and from Liepāja up to 450 EUR;
  • Artist fee of 1 800 EUR/gross in two payments (50:50): first part at the beginning of the residency and second part after the submission of the final report;
  • Production cost of 1125 EUR/gross, result presented in the event “The Lāčplēsis Garden Festival”
  • The artist must have a European health insurance card or its equivalent;
  • Report: Upon return from the residency, artists are required to submit a brief narrative report containing evidence of newly created work/s (in English), and boarding passes if traveling by plane;
  • Contract: Before going to the residency, the artist will sign a contract with the foundation “Liepāja 2027”.

 

How to apply?

You should register as an artist on the CreArt website . In a single PDF document, include:

  • identity card or passport
  • a short version of your CV (one or two A4 pages)
  • an artist’s portfolio, selection of recent projects (maximum 10 pages and 10 images, you can include links)
  • a brief project proposal (maximum one A4 page) outlining why you would like to undertake a residency in Liepāja, including a raw idea description of your work, and the directions you plan to explore.
  • Application documentation must be submitted via the artists’ platform on the network’s website: creart2-eu.org/open-calls

Deadlines

  • Applications accepted until: June 14, 2026
  • Announcement of results: no later than June 19, 2026
  • Contract signing with the foundation “Liepāja 2027”: two weeks before departure
  • Submission of report: 1 week after the end of the residency
  • Only complete and timely applications will be considered.
  • Selection Committee: Anna Priedola, Dace Oberšate-Veisa, Ieva Rubeze, Zanda Bitere

The Committee is not obliged to justify the selection decision.

 

QUESTIONS

The contact person for all questions is Zanda Bitere, zanda.bitere@liepaja2027.lv, www.liepaja2027.lv

 

Within the project:

Partners:

Supported by:

  

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them.
[Project number: 101128499]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs

 

Residency from October 26 to December 20, 2026 in Clermont-Ferrand, France

Application deadline: June 21, 2026

As part of the CreArt network, the City of Clermont-Ferrand in France is organizing a two-month residency for 3 visual artists of younger generation at Chalet Lecoq. It will select 2 artists from the CreArt network and 1 from Clermont-Ferrand.

 

Chalet Lecoq
Both in the center of town and in an atypical location in the middle of a public garden, the Chalet Lecoq invites reflection on the relationship between nature and the urban, in a place frequented by residents of all ages (families, students, senior citizens…). The Chalet Lecoq is the former janitor’s house of the Jardin Lecoq, a park located in the heart of the city. The Chalet welcomes international artists in residency throughout the year. It offers a privileged setting, with a two-bedroom apartment and a fully-equipped workspace.
For this two-month residency, le Chalet Lecoq will host the two European artists for the accommodation and workspace, and the Clermont-Ferrand artist for the workspace.

 

RESIDENCY CONDITIONS
• residency grant: 3 000 € / artist for the two-month residency (1 500 € / month)
• production costs: 600 € / artist
• for European artists, reimbursement of round-trip travel expenses (up to 500 €
• an end-of-residency presentation may be organized, in discussion with the artists hosted.

 

TO APPLY
• Artist of younger generation being born or resident in one of the following cities: Kaunas (Lithuania), Liepaja (Latvia), Skopje (Northern Macedonia), Aveiro (Portugal), Valladolid (Spain), Lublin (Poland), Venice (Italy), Rouen (France), Ceske Budejovice (Czech Republic), Oulu (Finland), Regensburg (Germany) ;
• Members of Croatian Asociation of Fine Artists (HDLU)
• Application open to Ukrainian artists thanks to cooperation with the Lviv Art Council “Dialog”.

 

DOCUMENTS TO BE SUBMITTED IN ENGLISH HERE

In a single PDF document:
• identity card or passport – and residency certificate if required
• a short version of your CV (one A4 page)
• an artist’s portfolio, recent and related to the project (maximum 10 pages and 10 images, you can include links)
• a short written project proposal (one A4 page) explaining why you would like to carry out a residency in Clermont-Ferrand and what this would bring to the artist’s work.

Applications must be submitted via the artists’ platform on the network’s website: https://creart2-eu.org/open-calls/

 

APPLICATION DEADLINE: JUNE 21st, midnight

Artists will be selected by a jury of Clermont-Ferrand contemporary art professionals. Particular attention will be paid to selecting artists whose work may reveal forms of connection.

Announcement of selected candidates: July 3rd, 2026

 

Within the project:

Partners:

Supported by:

  

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them.
[Project number: 101128499]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs

CreArtivci
Exhibition of Elementary and High School Students
26–27 May 2026
Karas Gallery

On Tuesday, 26 May at 6 PM, the exhibition CreArtivci, featuring works by elementary and high school students, will open at Karas Gallery. The exhibition is the result of an educational programme developed within the framework of the European project CreArt 3.0.

The CreArt Educational Program is part of the European project CreArt 3.0 and aims to improve collaboration between local schools, cultural institutions, non-governmental organisations, independent professionals, and companies in the cultural and creative sector. The programme builds and strengthens intergenerational connections, creates a network for the exchange of cultural education, and encourages the future participation of schoolchildren in the cultural life of the city. Over the course of three years, the programme has involved 76 schools in partner cities of the project, more than 4,500 students and teachers, and 47 artists.

The Croatian Association of Fine Artists (HDLU) connected its latest educational programme with the exhibition 8th Biennial of Painting, organised by HDLU at Klovićevi dvori Gallery from 28 April to 21 June 2026.

This edition included 6 schools (Jabukovac Elementary School, Miroslav Krleža Elementary School, Ivan Gundulić Elementary School, Fifth Gymnasium, Seventh Gymnasium, and Tenth Gymnasium), involving more than 120 students and 6 teachers and educators. The programme consisted of guided exhibition tours accompanied by educational booklets with assignments for children aged 6–11 and 12–16, as well as workshops held in schools under the mentorship of the following artists: Ivana Fischer, Slaven Kosanović, Mia Maraković, Luisa Pascu, Tara Stanić, and Šimun Tolić.

Tenth Gymnasium during the guided tour

 

Miroslav Krleža Elementary School during the guided tour

Following the guided tours, six workshops with artists were organised, resulting in student artworks that will be presented at the exhibition in Karas Gallery.

Workshop led by Šimun Tolić at Jabukovac Elementary School

 

 

Workshop led by Luisa Pascu at Seventh Gymnasium

 

PARTICIPANTS:

Schools: Jabukovac Elementary School, Miroslav Krleža Elementary School, Ivan Gundulić Elementary School, Fifth Gymnasium, Seventh Gymnasium, Tenth Gymnasium

Artists: Ivana Fischer, Slaven Kosanović, Mia Maraković, Luisa Pascu, Tara Stanić, Šimun Tolić

Teachers: Mirna Ferenček, Ivona Jurić Kljajo, Iris Kudumija, Petra Mihanović, Vesna Mišljenović, Darija Odorčić Matijević

***

CreArt is a network of 13 medium-sized European cities aimed at exchanging experiences and good practices in fostering contemporary art through an ongoing transnational mobility programme for emerging artists, curators, and cultural professionals, to maximise the economic, social, and cultural contributions that creativity can bring to local communities (#stringing_together). At the same time, CreArt 3.0 pushes boundaries (#pushboundaries) beyond the visual arts by strengthening other artistic practices such as performing arts and music. A new collaboration has also been initiated with a non-governmental organisation based in Lviv to support Ukrainian artists. Participating cities include: Kaunas, Liepāja, Skopje, Aveiro, Valladolid, Lublin, Venice, Clermont-Ferrand, Rouen, České Budějovice, Oulu, and Regensburg. The project includes 45 residency programmes in 15 European cities, more than 39 public events celebrating the European Month of Creativity across 13 network cities, 13 educational programmes to strengthen creativity and knowledge of contemporary art, 18 street art festivals, 10 annual gallery festivals in 9 cities, and 6 European conferences and study visits.

 

Organizer:

Within the project:

Partners:

Supported by:

  

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them.
[Project number: 101128499]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs

 

Exhibition Opening: 26 May 2026 at 6 PM

Opening Hours on 27 May 2026: 11 AM – 7 PM

 

The Croatian Association of Fine Artists (HDLU) announces an Open Call for exhibitions at Gallery -1 of the Meštrović Pavilion, a new exhibition space that will open following a comprehensive renovation on Level -1 (basement) of the HDLU building.

Render of the Gallery -1 space at the Meštrović Pavilion

The newly renovated and contemporarily equipped gallery, with a surface area of 117 m² and a ceiling height of 290 cm, is located in the former storage area of the Croatian History Museum — a part of the Pavilion that has not previously been accessible to the public or artists.

Gallery -1 of the Meštrović Pavilion is programmatically focused on:

  • site-specific art projects
  • audio, video, and multimedia installations
  • ambient and spatial interventions
  • performances
  • research-based and experimental art projects
  • interdisciplinary and hybrid formats
  • works that actively explore the relationship between space, audience, and media

The Open Call is open to solo and group exhibition projects by Croatian and international artists, curators, and art collectives.

 

APPLICATION REQUIREMENTS

Applications should include:

  • a completed APPLICATION FORM containing:
      • project description (up to 3,000 characters)
      • visual materials and/or exhibition layout sketches
      • technical description of the project
      • CV of the artist and/or curator
      • portfolio or links to previous works
      • budget estimate

Applications must be submitted electronically.

DEADLINES

Application deadline: 28 June 2026

The results of the Open Call will be announced by the end of July 2026.

PROGRAMME SELECTION

Project proposals will be reviewed and selected by the HDLU Artistic Council.

CONTACT:

galerije.hdlu@gmail.com

Questions are accepted exclusively via e-mail.

COMMUNICATION:

During the process of project review, funding applications, and final confirmation or agreement regarding project realization, HDLU communicates exclusively with the project applicant via the contact details provided in the application form.

RIGHTS OF USE OF SUBMITTED MATERIALS:

HDLU reserves the right to use submitted materials for the promotion of the gallery exhibition programme across all media, catalogues, invitations, the website, and related promotional channels.

CONFIRMATION OF APPLICATION RECEIPT

If you do not receive confirmation of receipt from galerije.hdlu@gmail.com within 5 working days of submitting your application, please contact us at tajnistvo@hdlu.hr.

 

Attachment:

GALLERY FLOOR PLAN

 

CREART 3.O. / KARAS+KVART
VANA GAĆINA & ALYONA FUTSUR
21.-24.5.2026.
KARAS GALLERY

We invite you to join the exhibition of Vana Gaćina and Alyona Fustur, which is the result of three weeks of intensive research and work as part of the residency program Karas+kvart, on Thursday, 21st of May at 7pm in Karas Gallery (Ulica kralja Zvonimira 58).

The exhibition brings the new works of Croatian multimedia artist Vana Gaćina “FluctuHood” and Ukrainian artist, videographer and performer Alyona Futsur “Unwanted Voices”, which are based on revealing the hidden potential of urban and natural remains of Karas’ and nearby neighborhoods.

Installation “FluctuHood” (Vana Gaćina) is a research project based on the consideration of energy availability in a contemporary urban context, viewed through the prism of interdisciplinary artistic practice. The focus of the research is the Karas Gallery neighbourhood viewed as a microecological system within which neglected material flows – such as biowaste, soil, sediments, and wastewater – can be identified and which have the potential for transformation into useful energy forms.
Locally available materials from the environment of the aforementioned city district are used for the experimental production of bioelectrochemical batteries. The energy obtained from these batteries serves as the main source for the installation and is translated into a sound structure through algorithmic processes, forming an interactive sound installation.
The sound structure is designed as an interactive system adapted to visitors, which allows them to actively participate and ‘play’ using the energy of their own environment, with each of its segments generating a recognizable sound expression.

Audiovisual project “Unwanted Voices” (Alyona Futsur) explors the hidden sounds of environmental and social pollution in Zagreb. Using hydrophone (underwater microphone) and geophone (analog sensor that converts ground vibrations into electrical signals), Alyona Futsur recorded underwater sounds of city fountains and lakes, as well as low-frequency vibrations from urban and natural locations marked by garbage and noise pollution. The project investigated whether polluted environments have a “voice” that cannot be heard without specialized equipment, and it found… they do.
Alongside the recordings, Alyona interviewed residents about these places. Their emotions and associations influenced the color palette, scene titles, and editing process, making the public co-authors of the final film. Through both technology and human testimony, the project gives voice to overlooked spaces, invisible tensions, and collective emotional landscapes of Zagreb that remain silent and overseen.

Artists’ biographies:
Vana Gaćina is a Croatian visual artist whose practice bridges painting, video, and multimedia installation. After graduating in painting from the Academy of Fine Arts in Zagreb, she continued her education in video art at the Academy of Fine Arts in Ljubljana. Her work explores the evolving relationship between contemporary art and technology, with a particular focus on how artistic expression transforms within new media environments. Through multimedia installations, Vana integrates traditional visual practices with digital tools, investigating expanded models of perception, representation, and interaction. Currently a PhD candidate in visual arts at the Academy of Fine Arts and Design in Ljubljana, her research focuses on the aesthetics of artificial intelligence. Her doctoral work critically examines the role of algorithmic systems in contemporary artistic production. Vana has exhibited in numerous solo and group exhibitions both in Croatia and internationally. She is a member of the Croatian Association of Artists (HDLU) and the Croatian Freelance Artists’ Association (HZSU).

Alyona Futsur is a multidisciplinary artist from Ukraine, based in Slovakia, working across performance, photography, video, and music.
With a foundation in psychology, transformational coaching, and somatic practices, her work explores the intersection of art and healing through raw, improvised, and emotionally charged expression. Alyona’s methodology centers on mind-free experimentation, intuition, and embodied experience—favoring imperfection, spontaneity, and unconventional aesthetics such as distorted imagery, non-linear video, experimental sound, and expressive embodiment.
Performance and film serve as key mediums for translating inner processes into shared, real-time experiences, while sound and music deepen emotional connection beyond language. This approach has been shaped by Alyona’s projects, including experimental films, live performances, and the music album Garage Renaissance, in which she embraced improvisation as a core creative force.
Drawing from personal experiences, including trauma and neurodivergence, her work challenges perception and invites reflection on identity, emotion, and societal conditioning. Her art has been exhibited and screened internationally across Europe and the Americas. In 2025, Alyona published the self-coaching memoir 365 Days of Love: How to Self-love Without Money, Mission, and Myself, which she wrote during one of the most difficult periods of her depression, further expanding her practice into writing as a tool for transformation.

Associates: Miodrag Gladović and Ur Institu (FluctuHood project)
Thanks: Tin Dožić, Margita Grubiša, Museum of Contemporary Art Zagreb

Gallery working hours:
Friday-Sunday: 10am-6pm

____

Within the project: 

Partners:

Supported by:

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them.
[Project number: 101128499]
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs

The New Reality of Working in Culture: Pace, Pressure, and Resilience

Klovićevi Dvori Gallery

May 21 at 11:30 AM

The seminar addresses the challenges of contemporary work in the cultural sector, with a focus on the accelerated pace of work, increasing pressure, and the development of personal and professional resilience. The program includes a lecture from both artistic and psychological perspectives (Ivan Barun), as well as a personal practical experience presented by Krunoslav Nujić. Through different approaches and perspectives, participants will gain insight into ways of coping with the demands of working in culture, along with practical tools for recognizing and managing stress and preserving mental health (Ivana Štulić), followed by a concluding discussion and participant Q&A.

PROGRAM

11:30 – 11:40: Brief Introduction to the Topic

(Moderator) Miran Jurić, sociologist and secretary of HDLU

11:40 – 12:10: Ivan Barun – Creativity Under Pressure: Burnout and Resilience in Creative Professions

Through a combination of artistic and psychological perspectives, the lecture explores specific sources of stress in creative professions: instability, exposure to evaluation, internal pressure, and difficulties in setting boundaries. Participants will gain a framework for understanding burnout in the cultural sector and reflect on how to preserve creative energy without self-exhaustion.

Ivan Barun is a psychiatry specialist working at the Day Hospital for Eating Disorders at the Sveti Ivan Psychiatric Clinic in Zagreb. In addition to medicine, he graduated in painting from the Academy of Fine Arts at the University of Zagreb with highest honors. He has further trained in expressive art therapy and body-oriented psychotherapy, and in his clinical, educational, and scientific work he is particularly interested in the connections between mental health, art, the creative process, and the therapeutic relationship. He is the author and co-author of numerous professional and scientific papers and presentations in the fields of psychiatry, art therapy, and mental health.

12:10 – 12:40: Krunoslav Nujić – Stress and Anxiety in the Modern World: Personal Experiences

The lecture will present basic information about burnout and its prevalence in society. Through his personal experience, Krunoslav Nujić will demonstrate what burnout looks like in practice and share the lessons he has learned. The goal is to better understand the dangers of excessive stress and how to prevent burnout.

Krunoslav Nujić is a scientist with extensive corporate experience and training in psychological and coaching approaches (body-oriented psychotherapy, life coaching, systemic constellations, Emotional Freedom Technique). He is the author of the book Burnout, A Story About Us, in which he describes his experiences and lessons learned about stress and burnout. Through an integrative approach to people and life, he helps individuals find their path in this demanding and challenging world through individual counseling, lectures, and workshops.

12:40 – 13:00: Coffee break

13:00 – 13:30: Ivana Štulić – Mental Resilience in Practice: Techniques for Coping with Challenges

In a world that demands constant adaptation, speed, and efficiency, mental resilience becomes a key skill not only for success, but also for how we feel throughout the day. Resilience should not mean “enduring at all costs,” but rather the ability to reduce stress levels, recover, adapt, and preserve ourselves through challenges. Through a combination of psychological insights and practical tools, participants will learn how to recognize their own stress response patterns and develop strategies that protect their mental health and energy in the long term while building resilience.

Ivana Štulić is a lecturer, consultant, and author with more than ten years of experience in positive psychology and leadership development. After a successful corporate career, she dedicated herself to education, consulting, and writing with the mission of bringing tools for wellbeing, business success, resilience, and quality living closer to individuals and organizations. Ivana earned an MSc in Applied Positive Psychology from Cambridge (UK). She is a certified business trainer, EMCC Global EIA Senior Practitioner (one of only eight accredited coaches at that level in Croatia), NLP Business & Manager Coach, and certified Appreciative Inquiry practitioner. She also holds a Diploma in Corporate Wellbeing Coaching from Kingstown College, Ireland, and completed the Science of Happiness at Work program at the University of California, Berkeley, USA. Recently, she became certified as a PrinciplesYou Coach and in Systemic Team Coaching – Team Development Essentials. She frequently gives presentations, lectures, and keynote speeches at conferences both online and in person. At the World Business Executive Coaching Summit 2022, she was ranked among the top 10 speakers. At the EMCC Global Conference 2023 in Prague, she led the workshop “The Power of Appreciation and Gratitude – Building Relationships by Applying Positive Psychology Principles” for an international audience. She is the author of the books How to Love Life and 100 Faces of Motherhood, and her work combines scientific expertise with personal experience in an inspiring way.

13:30 – 14:00: Q&A (Questions and Answers)

Learn more about the educational programs on the Painting Biennale website.

 

Within the project:

Partners:

Co-funded by:

   

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]

Project is co-financed by the Government Office for Cooperation with NGOs.

The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.

HDLU