
On October 11, 2024, there will be an open studio day/exhibition of the first residency De/Construction of Painting, as part of the European project Creart 3.0.
Artists: Ante Dujmović (HR) and Daria Titova (UA).
DE/CONSTRUCTION OF PAINTING CONCEPT:
The project De/construction of Painting encourages and addresses contemporary artistic practices within the context of the visual arts center of Eastern Germany, Leipzig, which has transformed into a global hub for the arts with a focus on the painting scene. The former industrial complex Spinnerei in the Plagwitz district spans 10 hectares and has been almost entirely renovated, now serving as the heart of the local and international art scene with 12 galleries, the non-profit art center Halle 14, and around a hundred resident artists. The residency program De/construction of Painting tries to answer the following questions:
Part of this year’s residency program takes place within the EU project CreART 3.0, a European network of medium-sized cities aimed at exchanging experiences and best practices to promote contemporary art through a continuous transnational mobility program for emerging artists, curators, and cultural workers, in order to maximize the economic, social, and cultural contributions that creativity can bring to local communities. As part of the EU project CreART 3.0, 4 residencies will take place in Leipzig in 2024, each lasting 5 weeks, including 2 Croatian and 2 foreign artists from the network of cities.
Project web page: https://residencyleipzig.hdlu.hr/
Ante Dujmović was born in Zagreb year 1999. He was educated in Applied Arts High School in Department for Metal Design. He graduated at the Academy of Fine Arts in Zagreb with BA degree in New Media year 2022. He is a multidisciplinary artist with interest in all forms of art and materials. Since year 2023 he is member of the Croatian Association of Fine Artists. He participated in many exhibitions and projects in Croatia and abroad.


Daria Titova is a young twenty-year-old artist from Kharkiv, Ukraine. She completed her undergraduate studies in Graphic Design at the Estonian Academy of Arts. She is the author of several projects, including the design of the 2-euro coin “Glory to Ukraine” (2022); she was the winner of the competition for a wallpaper design for a kindergarten that Estonia built in Ukraine (2023); her work was selected for presentation in the Tallinn Adidas store (2024); and she created 12 murals for the new hospital (Health Center 2) and is currently working on an animated educational platform for the same center (2024).


Within the project:
![]()
Partners:

Co-funded by:
![]()

Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]
Project is co-financed by the Government Office for Cooperation with NGOs.
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
OVERDEVELOPED
Fedor Vučemilović
Galerija Kvart
On Saturday, September 14th at 8 PM, the renowned Split Gallery Kvart will open an exhibition by Croatian photographer and conceptual artist Fedor Vučemilović. The exhibition showcases the artist’s multimedia series created during his stay in New York. Vučemilović’s work to date spans the realms of conceptual and post-conceptual art, visual arts, and expanded media of photography and video, in each of which he has demonstrated a tendency for experimentation and pushing boundaries. This approach and reflection have resulted in an artistic oeuvre that encompasses all types of photo media, and this series, which captures the rhythm and currents of the vast New York City, emerges from that trajectory.

14.9.—13.10.2024
DE/CODING TEXTILE.
CONTEMPORARY ART REFLECTING TEXTILE TRADITIONS

CURATED BY
Maria Christine Holter
ARTISTS
Yasmina Assbane, Yana Bachynska, Željko Beljan, Bik Van der Pol (Liesbeth Bik & Jos Van der Pol), Tanja Boukal, Anetta Mona Chișa, Larisa Crunțeanu, Megan Dominescu, Bernhard Frue, Aurora Kiraly, Zoya Laktionova, Kamruzzaman Shadhin, Iza Tarasewicz, Christina Zurfluh
The exhibition DE/CODING TEXTILE. Contemporary Art Reflecting Textile Traditions brings together works by fifteen artists from nine nations that were created during residencies organised by AFAR (Artists for Artists Residency Network) in Mulhouse (F), Maramures (RO), Bucharest (RO), and Zagreb (HR) in 2023/2024. Referring to the historically influenced environment of the four production sites, the selected artists react with personal artistic expression and a wide variety of media. The virtual meets the analogue, smooth meets fluffy, tradition meets deconstruction, “typically male” meets queer and feminist, deadly serious meets pop humour.
Accompanying the exhibition, the VIENNA TEXTILE TALKS (20 September 2024) will feature outstanding guest speakers who will explore the question of why textiles are increasingly gaining ground in contemporary art and what contribution the positions represented in the Factory can make to the current art discourse. Works by five members of the Künstlerhaus Vereinigung will be included in the discussion.
The Artists for Artists Residency Network (AFAR) is an EU co-funded project, aiming to improve the mobility of contemporary visual artists and curators in the four European partner nations — Romania, Germany, Croatia, and Austria. The project is led by the Romanian Association for Contemporary Art (ARAC) with three consortium partners — the Goethe-Institut network, the Croatian Association of Fine Artists, and the Künstlerhaus Vereinigung Vienna. An associate strategic partner of the project is La Kunsthalle Mulhouse which is also the Centre d’Art Contemporain d’Intérêt National de la Ville de Mulhouse.
Following Vienna, new exhibitions in Zagreb (curated by Josip Zanki) and Bucharest (curated by Anca Poterasu) will follow.
More information on the websites of AFAR www.afarnetwork.com.
Within the project:
![]()
Project partners:

HDLU part of AFAR project is co-funded by:
![]()

Co-funded by the European Union – CREA-CULT-2022-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101100309 ]
Project is co-financed by the Government Office for Cooperation with NGOs.
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.

The Croatian Association of Fine Artists (HDLU) and the Museum of Contemporary Art (MSU) Zagreb invite you to the opening of the retrospective exhibition Picelj and Friends by one of the most prominent Croatian artists of the second half of the 20th century, Ivan Picelj. The opening will take place on Thursday, September 19, at 7:30 PM at the MSU Zagreb. This first comprehensive retrospective of Picelj’s work since his passing is organized on the occasion of the 100th anniversary of his birth (1924–2011), and the exhibition is curated by Prof. Zvonko Maković, PhD. The retrospective will remain open until November 17, and during its duration, a rich and diverse accompanying program of films, educational activities, and discussions will be organized, along with numerous guided tours.
The exhibition Picelj and Friends showcases Ivan Picelj’s remarkable and extensive body of work, highlighting his innovative contributions to the field of art and emphasizing his key role on the international art scene. Ivan Picelj was a leading figure in abstract art in the 1950s and a member of the art groups EXAT-51 and the New Tendencies movement, which placed the city of Zagreb on the global map of artistic events. His works are featured in the collections of prominent museums worldwide, such as the Museum of Modern Art in New York, Tate Modern and the Victoria & Albert Museum in London, the Centre Georges Pompidou in Paris, and the Muzeum Sztuki in Łódź, among others.
As the exhibition curator Zvonko Maković points out, Ivan Picelj is important not only as a distinguished individual and artist who, in challenging times, introduced abstract art while consciously referencing the great predecessors of the early 20th-century avant-garde, which had a negative resonance in the social and political context of that era. Picelj always linked his art with that of his close collaborators and friends. From his earliest days, Picelj aspired to collective recognition rather than individual acclaim. He was the one who established connections abroad, thereby creating opportunities for Croatian artists, not just himself, to be represented at relevant exhibitions worldwide as early as the 1950s, and in reputable galleries. Additionally, Picelj’s work demonstrated clear connections that integrated Croatian art of the 1950s into the artistic currents emerging in major, predominantly European, cultural centers of that time.
All of the aforementioned reasons are the main impetus for expanding the retrospective exhibition Picelj and Friends to include all aspects of his work, from painting to objects, as well as graphic design, encompassing posters, book design, catalogs, and magazines. Alongside Picelj’s works, the exhibition also features pieces by the artist’s friends, all of whom were prominent figures of his time: Yaacov Agam, Getulio Alviani, Hans Arp, Mihajlo Arsovski, Vojin Bakić, Vladimir Bonačić, Carlos Cruz-Diez, Ivo Kalina, Julije Knifer, Almir Mavignier, François Morellet, Vladimir Kristl, Božidar Rašica, Jesús Rafael Soto, Aleksandar Srnec, and Victor Vasarely.
SAVE THE DATE
PICELJ AND FRIENDS
Museum of Contemporary Art, Zagreb
Opening: September 19, 2024
HDLU and MSU are marking the 100th anniversary of the birth of Ivan Picelj – a leading figure in 1950s abstraction and one of the most prominent Croatian artists of the second half of the 20th century; a member of the artistic groups EXAT-51 and the New Tendencies movement, who put Zagreb on the global art map. The exhibition Picelj and Friends, curated by Zvonko Maković, presents the artist’s extraordinary oeuvre, highlights his innovative contributions to the field of art, and underscores Picelj’s key role on the international art scene. The exhibition also features works by his friends, notable artists: Getulio Alviani, Hans Arp, Vojin Bakić, Vladimir Bonačić, Carlos Cruz-Diez, Ivo Kalina, Julije Knifer, Almir Mavignier, François Morellet, Vladimir Kristl, Božidar Rašica, Jesús Rafael Soto, Aleksandar Srnec, and Victor Vasarely.
Photo: Damir Fabijanić