Category: Exhibitions
04 May 2021
Exhibition MURTIĆ 100 – an exhibition in honor of the 100th anniversary of the birth of Edo Murtić
The great Croatian and world renowned abstract painter
Home of HDLU, May, 25.- July, 18, 2021.
Meštrović pavilion, the Home of HDLU, will soon open its doors for another exhibition that will once again surprise, delight, and inspire visitors with its opus. The great Croatian abstract painter Edo Murtić will beautify spring and summer in Zagreb with a series of events organized in his honor.
Murtić 100 is a project that marks the 100th anniversary of the birth of Edo Murtić, the undisputed giant in Croatian modern art who left his mark not only in Croatia but also in the world. The exhibition opens on May 25 and by July 18, visitors will be able to view more than 100 amazing works of this modern painting icon. In addition to the work of the great Edo Murtić, the project includes a number of other events – the international symposium Gesture and Freedom, which will be held in Zagreb and Rovinj in June 2021, the exhibition New Abstract Art in Lauba – the House for People and Art from June, 1 till June 10, 2021, and a series of accompanying events (reinterpretations of Murtić through street art at several locations in Zagreb, workshops for children and adults, guided tours, customized guided tours for children with accompanying work materials, tactile image to bring art closer to blind and partially sighted people etc.).
It is a great pleasure and happiness to participate in the celebration of the hundredth anniversary of Edo Murtić’s birth with a large exhibition of his works. Edo Murtić changes the perception of who an artist is in society and pushes the boundaries of the meaning of a work of art in public space. I am especially pleased that through this project, in cooperation with the Tourist Board of the City of Zagreb, new ways of developing a long-term strategy of recognizing Zagreb as a tourist destination will be developed. Artist Edo Murtić is an ideal starting point for such an initiative. I personally love the energy, love, and luxurious talent of Edo Murtić. – on the occasion of the announcement of the exhibition, Tomislav Buntak, President of HDLU and Dean of the Academy of Fine Arts in Zagreb
Edo Murtić, with his painting opus and strong artistic personality, marked and formed the cultural life of Croatia and the region in the second half of the 20th century. He attended the Academy of Fine Arts in Zagreb and the school of Petar Dobrović in Belgrade. He held his first solo exhibition in Zagreb in 1935. Murtić’s early figurative painting, thanks to a continuous evolution inspired by study trips to France, Italy, and the USA, and contacts with the world’s leading post-war artists, gradually transformed into a special variation of abstract painting with expressive gestures, lyrical charge, and strong colorism. With his unique and recognizable painting style, he created one of the most influential opuses of high modernism in Southeast Europe. His exhibitions in 1953 in Zagreb and Belgrade were among the first solo exhibitions in the socialist world to present elements of abstract art. Edo Murtić has realized more than three hundred solo and as many group exhibitions on all continents, including notable performances at the Venice Biennial. His works are present in most representative public and private collections around the world.
In addition to a rich oeuvre, Murtić’s work includes theatrical sets, murals, mosaics, enamels, sculptures, and ceramics. He is the winner of many major domestic and foreign awards and recognitions. He lived and worked in Zagreb and Vrsar.
The Murtić 100 exhibition at the Home of HDLU (Meštrović Pavilion) will be set up under the artistic direction of Branko Franceschi, director of the National Museum of Modern Art. A special feature of the exhibition is the diversity of the artist’s work presented through chronological and thematic units, designed for individual spaces, and the curator added: Edo Murtić, with his variation of gestural abstraction, was a leading figure of regional high modernism in Croatia and Yugoslavia.
The Bačva Gallery will present works that are remembered in the collective memory as paradigmatic works of art of certain sections of high modernism, and the emphasis will be on the dynamic colorism as a fundamental determinant of Murtić’s creative approach. In the PM Gallery, the curator sets Murtić’s activist cycles – dedicated to anti-war themes, which directly indicate Murtić’s importance as a prominent and influential cultural actor, an unwavering advocate of democratic and libertarian principles, while in the Prsten Gallery other artist cycles, performed in other art disciplines, will be presented – gouache, monumental compositions in ceramics, enamel and mosaic, as well as landscapes and city views, which marked all six decades of his work.
The exhibition is accompanied by art workshops for 4 age groups: 5-8 years, 10-15 years, 15+ years, and 55+ years.
Other cultural and artistic activities have been organized within the project that celebrates 100 years since the birth of Edo Murtić, and you can see the announcements of the events on the website murtic100.hr
Tickets for the exhibition will be available at the box office of the Meštrović Pavilion and online through the ENTRIO system.
The working hours of the exhibition are every day from 11 am to 9 pm.
23 September 2020
ANĐELA ZANKI
THERE IS NOTHING INSIDE
Karas Gallery, Kralja Zvonimira 58
September 29– October 11, 2020
Following all recommendations of the National Civil Protection Headquarters, exhibition THERE IS NOTHING INSIDE, by ANĐELA ZANKI, will be opened on Tuesday, September 29 at 7 pm at the Karas Gallery (Kralja Zvonimira 58).
(…) “The artist focused on questioning the spatial relations and interactions between objects and subjects, invites the viewer to look at himself, inner self, and re-examine its substance, its history, and notions by observing these “empty objects”. How many hidden emotions of happiness, but also fear and worries, did he hide in himself and carry that burden every day? The artworks thus become a copy of ourselves, in an uncertain situation of constant anxiety, they are an illusion of our reality. The illusion of depth collides with the emptiness of these objects, as well as the symbolism of their forms. The circles that “float” and that we first encounter when entering the gallery are a symbol of the spirit, they represent wholeness and homogeneity, perfection without beginning and end. They are also a symbol of the sky (which is also blue), the celestial, and the transcendental. The shape of the circle connects it to the wheel, a symbol of a time that is infinite and eternal. For Jung, the circle is a symbol of the wholeness of the psyche, therefore, a symbol of the self. In the second room, we come across a “broken” square – a symbol of land, foundations, home, security, the four corners of the world, and the four basic elements. Its fragmentation points to the insecurity we face, to the gaps outside and within us that we struggle with, but also to the opportunity to build a “new world” on a better and more mature foundation.
Johannes Kepler said that we need to know geometry in order to understand philosophy because: “Geometry existed before Creation. It is eternal with the mind of God (..) Geometry has offered God a model for Creating (…) Geometry, it is God Himself.”
From preface, written by Nika Šimičić
ABOUT THE ARTIST
Anđela Zanki (1992, Zadar) graduated Painting from the Department of Art Education, Academy of Fine Arts in Zagreb in 2018. She is the winner of the Rector’s Award in 2017 for the project Color to Health at the Rebro Clinical Hospital Center. She has exhibited in several solo exhibitions, of which it is worth mentioning: 2019, Stanja Plave II, Zilik Gallery, Karlovac; 2018, Vibracije, Greta Gallery, Zagreb; 2017, Apsurdom protiv otuđenja (Nikolina Kuzmić, Martin Šatović, Anđela Zanki), Academia Moderna, Zagreb, 201, Mali formati (Marta Tuta, Anđela Zanki), Studio of the Poola Gallery, Pula. She has participated in about forty group exhibitions in Croatia and abroad (2018, Zagrebška akademija – Best Forehand, Equrna Gallery, Ljubljana, Slovenia). She uses minimal expression in her work. She collaborates on international projects (2019, Associate on the project The Leipzig connection, 2017-2018 assistant of the Residential Program in Leipzig, Germany, within the project De/construction of painting, in cooperation with the Croatian Association of Fine Artists and Hafenkombinati; 2015, assisted at the Trešnjevka Cultural Center in the organization of the exhibition Zagreb Ex tempore / international exhibition of ceramics) and art colonies. As part of the project Humanization of Public Spaces through Art Interventions, she is the author of a public work located at the Rebro Clinical Hospital. She is a member of the Croatian Association of Fine Arts artists in Zagreb since 2017. She lives and works in Zagreb.
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Organizer:
Supported by:
Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday: 10 am to 1 pm
Sundays, Mondays, Tuesdays and holidays: closed.
The exhibition will remain open until October 11, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors. The Gallery can hold up to 5 people at a time.
Visitors are required to maintain a distance of 2 meters.
Touching the exhibits is not allowed.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.
PETRA FERIANCOVÁ
SHE WAS UNAWARE OF HER BORDERS. / EGO IN HABITAT.
Curator: Branka Benčić
Bačva Gallery, Home of HDLU
September 24– October 11, 2020
Following all recommendations of the National Civil Protection Headquarters, exhibition SHE WAS UNAWARE OF HER BORDERS. / EGO IN HABITAT., by Petra Feroancová, will be opened in front of the Home of HDLU, on Thursday, September 24 at 7 pm in front of Home of HDLU.
“She Was Unawareof Her Borders (Ego In Habitat), the first solo exhibition of the notedSlovak artist Petra Feriancová in Zagreb is revealed as the artist’s contactwith the space of the Bačva gallery. By placing the works in dialogue with theexhibition space, Petra Feriancová points to the tensions between the space,the observer, and the observed. Her gesture is aimed at questioning spatialrelationships and interactions between objects and subjects, staging theperformative character of the exhibition and moving through space. (…)
(…) Petra Feriancová gathers objects and paintings that she exhibits as a kind of archeology of memory. She deals with, Petra points out, “surviving” objects and the aspiration of objects to expose a part of their own history. Through formal and sensual installations, he deals with objects, in relation to human life, their history, existence, duration, survival, fragility, emphasizing the atmosphere and evoking similar feelings in the viewer. In this way, the artist uses specific visual language to create spaces, memories, catastrophe atmospheres, archeological remains, abandoned humanism, and an encyclopedia formed in the space of experimentation between scientific, historical, and private view, potentiality and imagination, connecting intimate and universal.”
from preface, written by Branka Benčić
ABOUT THE ARTIST
Petra Feriancová is a Slovak artist, writer and curator. She was born in Bratislava, Czechoslovakia in 1977. In 2013, she represented Slovakia and the Czech Republic at the 55th Biennial of Venice. In 2011 she was a resident at ISCP, New York, US, and in 2010, she was awarded the Oskar Cepan Prize for young visual artists organised by the FCS Foundation for a Civil Society.
Selected solo exhibitions include:
Fabvlae, Villa D’Este,Tivoli, IT (2020); Lebenswelt, Significant Other, Vienna, AT (2019); Personale, Gilda Lavia, Rome, IT; Klaviatura, Viltin Gallery, Budapest, HU; I Am Losing My Beauty Together With My Interest in Beautiful Things, Baril, Cluj, RO; Becoming Animal, Tenderpixel, London, UK (all 2018); Systems, Individuals and Measuring Tools, Bòlit Centre d’Art Contemporani, Girona, SP; Survivals, Relicts, Souvenirs, Apoteka, Dignano, Croatia, HR; An Exhibition on Doubt, MAN_Museo d’Arte Provincia di Nuoro, IT; (all 2016); Vulnerable, Yet Everlasting, Viltin Gallery, OFF Biennale Budapest, HU (2015); Things that Happen, and Things that are Done. On Beginnings and Matter, Fondazione Morra Greco, Naples, IT (2014); Still the Same Place, An Order of Things (with Zbynek Baladrán), Czech and Slovak Pavilion, Venice Biennale, IT (2013); A Study of the Secondary Plan, Dumb, The House Of Arts, Brno, CZ (2012); Postsriptum to Childe Harold’s Pilgrimge, Slovak National Gallery, Bratislava, SK (2011) and Theory of a City or the Possibilities of an A4, ISCP, New York, US (2011).
Organizer:
Supported by:
* Supported using public funding by Slovak Arts Council.
WORKING HOURS:
Wednesday – Friday: 11am – 7pm
Saturday and Sunday 10am – 6pm
Mondays, Tuesdays and holidays (May 30): closed.
The exhibition will remain open until October 11, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors.
Visitors are required to maintain a distance of 2 meters.
Touching the exhibits is not allowed.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.
i.j.PINO
H.Ister.i.ja TouR mitt h*man preselitev 2000 – 2020
Karas Gallery, Kralja Zvonimira 58
September 15– September 27, 2020
Following all recommendations of the National Civil Protection Headquarters, exhibition H.Ister.i.ja TouR mitt h*man preselitev 2000 – 2020, by i.j. PINO, will be opened on Tuesday, September 15 at 7 pm at the Karas Gallery (Kralja Zvonimira 58).
(…) “Uljanik is a brother.
Once you get a job and experience all aspects of working in a collective – everyday, persistent and productive (within the limits of your abilities) you do not need much to realize that your best intentions and efforts do not differ in the slightest from those of your colleagues in any other collective.
In positive things we are all equal, and in negative things we turn into completely different monsters – depending on our imagination, the quality of stomach acid, and the level of moral numbness.
Uljanik is a brother who was killed by monsters.
Unfortunately, he is not the only one, and there are plenty of mortally wounded – unaware of their terminal condition, they walk through Pula like an army of zombies in an invisible apocalypse.
They are not dangerous, but if you look a little closer, they will break your heart.”
From the preface, written by Boris Vincek
ABOUT THE ARTIST
performer, visual artist, musician. He has been known to the alternative cultural scene since the beginning of the seventies when he entered the conceptual and performance circle. At that time he created ‘mental spirit music’ with friends, and under the influence of Beuys, he opened processes for creating so-called ‘social sculpture’, with which he begins to belong a small group of conceptual artists who engaged in questioning socialist value systems, primarily the meaning of work and the position of workers.
i.j.PINO’s position outside the center and his experience as a worker at the Uljanik shipyard secured him the ‘right’ to further radicalization in the field of art. During the eighties, he realized his artistic interests by combining the media of music, performance, and fine arts (alter rock group GustapH y njegovi dobry duhovi, and since the nineties, the public knows him as one of the most provocative Croatian performers, but also as an alternative new media experimenter (telephone concert Netz/Mreža, for Radio ORF).
Proud record holder for attendance at one event/performance (approx. 40,000 visitors, ´Theater like a Life / Life like a Theater or Life is hot pepper…´ Pula / Cro a Ti
All other stupidities can be read in the daily, weekly, and periodical newspapers of this area….
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Exhibition closing event
PERFORMANCE
…GRAN kacata finale, un Gran fumakajo., smo ga pofumali…
26.9. 12PM
Organizer:
Supported by:
Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday: 10 am to 1 pm
Sundays, Mondays, Tuesdays and holidays: closed.
The exhibition will remain open until September 27, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors. The Gallery can hold up to 5 people at a time.
Visitors are required to maintain a distance of 2 meters.
Touching the exhibits is not allowed.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.
11 August 2020
Croatian Association of Fine Artists would like to thank all the participants for a large number of high-quality applications and participation in the competition for the exhibition program in 2021.
HDLU Artistic council consisting of Branka Benčić, Tomislav Buntak, Ivan Fijolić, Kristian Kožul, Marijana Stanić, Jelena Bando and Josip Zanki have selected the following exhibition to be included in the program proposal for 2021.:
BAČVA GALLERY
- ISMAR CIRKINAGIC – THE HOUSE IN A FOREST ON A COAST
- NIKOLA VRLJIĆ – OPSADA OZA
PM GALLERY
- JOSIPA KROLO – POSTSEZONA
- CREART DUAL EXHIBITION, CURATOR NIKOLA BOJIĆ
PRSTEN GALLERY
- VISITA INTERIORA TERRAE – MIT I ALKEMIJA KAO UMJETNIČKA PRAKSA – MEXICO ((Uncompleted program from 2020)
- MARIO MATOKOVIĆ – KONTINUITET TIŠINE / ANDREA RESNER – RHYMES OF THE WHITE CROW: THE EPILOGUE / JELENA BRAČUN, IDA LOHER, MAJA BOSNAR – ŽENSKE STVARI (simultaneously)
KARAS GALLERY
- LUKA KEDŽO – TKO TU ŽIVI
- MARIO ROMODA – POP NOSTALGIA
- DARIJA JELINČIĆ – SOL
- LINA KOVAČEVIĆ – RITUAL SHAVE IN A CLUB TENT
- ZORANA UNKOVIĆ – MAPIRANJE (POD)SVJESNOG
- HELENA SCHULTHEIS EDGELER – PUT IT IN THE CLOUD
- TOMISLAV ŠILIPETAR – SLIKOPISI
- TEUTA GATOLIN – PRIRUČNIK ZA RADIKALNU EMPATIJU
The HDLU Board of Directors has approved the following exhibitions for inclusion in the HDLU 2021 program proposal:
PRSTEN / PM / BAČVA GALLERY
- MADE IN CROATIA
- MURTIĆ 100
- 6TH BIENNIAL OF PAINTING + DUBLIN, GUEST EXHIBITION in BAČVA GALLERY
PRSTEN GALLERY
- HDLU ANNUAL EXHIBITION
BAČVA GALLERY
- JURICA PUŠENJAK – HEROJI
KARAS GALLERY
- ANDREJ TOMIĆ – PARTY (AWARD: IVA VRANEKOVIĆ, VLADIMIR DODIG TROKUT – UMJETNICI UMJETNIKU)
- LEA POPINJAČ (AWARD: IVA VRANEKOVIĆ, VLADIMIR DODIG TROKUT – UMJETNICI UMJETNIKU)
The HDLU Arts Council has selected the following exhibition to be included in the program proposal for 2022.
BAČVA GALLERY
- MARTINA GRLIĆ – MODALITETI SJEĆANJA
- ANA MUŠĆET – POPRIŠTE (RADNI NAZIV)
- DALIBOR MARTINIS – GRUPNI PORTRET – DATA RECOVERY: CROWDSOURCING
KARAS GALLERY
- SKUJA BRADEN – SKUJA BRADEN’S POP-PORN
PM GALLERY
- HRVOJE HIRŠL – LIMITI REPREZENTACIJE
Thank you for participating and congratulations to all selected applicants and artists!
*NOTICE:
Selected applicants will be contacted to provide more information within the next 2 weeks due to the purpose of preparing applications for funding.
Results of the competition are not binding for the HDLU. Project realization depends on secured funding for the project. HDLU submits applications for funding in September 2020. All the selected applicants are encouraged to apply for additional funding (production, accommodation, transport of the works, and daily allowances…) in their own countries. Selected applicants will receive the final confirmation for the exhibition once the public funding results are announced.
ŽELJKO BELJAN
MYTH, EMBROIDERY AND VUTEKS
Karas Gallery, Kralja Zvonimira 58
July 7– July 19, 2020
Following all recommendations of the National Civil Protection Headquarters, exhibition MYTH, EMBROIDERY AND VUTEKS, by Željko Beljan, will be opened on Tuesday, July 7 at 7 pm at the Karas Gallery (Kralja Zvonimira 58).
(…) “The embroidery motifs have been changed in Beljan’s alternate reality, they are no longer meant for idyllic kitchens or ethnographic collections in heritage museums, but for the artist’s personal ritual in which he, like a shaman, liberates his own past and changes its course. Just as Saša Božić and Petra Hrašćanec play with the choreographies of folk dance groups in the dance performance Kolo (The Circle Dance) (2019), creating an almost futuristic traditional performance, Željko Beljan also takes us to the psychedelic sky, the same one where we will share a messianic vision with pigs, dolphins, and ducks. In this sky, everything is truly possible in a simultaneous reality. ”
From the preface, written by Josip Zanki
ABOUT THE ARTIST
Željko Beljan was born on June 17, 1984, in Vukovar. Since 2016, he has been studying at the Department of Animated Film and New Media of the Academy of Fine Arts in Zagreb. He has been engaged in illustration, comics, and poster production since 2010. He had his first solo exhibition in 2016 in Osijek. He is the author of numerous posters for various Zagreb clubs and other artistic initiatives and bands of which he is a member or associate.
Organizer:
Supported by:
Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday: 10 am to 1 pm
Sundays, Mondays, Tuesdays and holidays: closed.
The exhibition will remain open until July 19, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors. The Gallery can hold up to 5 people at a time.
Visitors are required to maintain a distance of 2 meters.
Touching the exhibits is not allowed.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.
25 June 2020
BEHZAD KHOSRAVI NOORI
PROFESSOR BALTHAZAR AND A MONUMENT TO AN INVISIBLE CITIZEN
Curators: Ana Kovačić and Lea Vene
Bačva Gallery, Home of HDLU
July 2– September 6, 2020
The opening of the exhibition by Behzad Khosravi Noori, Professor Balthazar and a Monument to the Invisible Citizen will be in front of the main entrance to the Home of HDLU, on Thursday, July 2, 2020. at 7 p.m.
For the summer atmosphere and pleasant socializing at the opening, we have prepared the music for you, which will be played by Lina Kovačević.
Professor Balthazar is a smart scientist who wishes everyone well. He lives in the picturesque and somewhat crazy city of Balthazargrad. Professor Balthazar can use his magic machine to solve all the problems of citizens. The exhibition gives us the opportunity to meet this ingenious character or, for those who watched the animated television series as a child, to revive the memory of him. Also, we can experience the monument that gave the exhibition its name and be inspired by the ability of Professor Balthazar to solve problems in the workshop space of the exhibition. The exhibition also encourages us to see more of the children’s program and to take a closer look at the social and artistic conditions that influenced Professor Balthazar’s production. Behzad Khosravi Noori draws a new political and cultural map of the Cold War period, commonly described as a period in which the world was divided into East and West, and focuses on the Non-Aligned Movement (NAM) that coexisted as a counterpoint to the Eastern and Western Cold Blocs. Among other things, the NAM was founded by the Yugoslav leader Tito, with the aim of putting an end to armaments and threats of war. The movement was also dedicated to fighting colonialism and racism and promoting peaceful coexistence. This influenced not only the global political situation but also the Zagreb School of Animation, where Professor Balthazar was born.
Behzad Khosravi Noori takes this transnational children’s program created in the Zagreb Film Studio in the period 1967-1978 as a starting point for a pink-yellow installation in the form of a climber made of a metal structure reminiscent of a scaffold with a slide and on the other hand extensive research on the creation of an animated series.
Thus, children will be able to enjoy a pink-yellow climber with a slide and watch the adventures of this famous inventor through selected episodes, while parents, through two documentaries, will be able to learn about the
history of the animated series and the political context of the time.
The project Professor Balthazar and the Monument to the Invisible Citizen has so far been shown in the form of a solo exhibition in several Swedish cities (Stockholm, Malmö, and Kalmar) and at the Art Encounters Biennale in Timisoara, Romania, and the final stop is a solo exhibition opening on July 2, 2020. in HDLU and lasts throughout the summer holidays.
At the end of the exhibition, the artist GIFTS the sculptural installation FOR PUBLIC USE, for which competition has been announced.
ABOUT THE ARTIST
BEHZAD KHOSRAVI-NOORI (1976, Tehran) studied Motion pictures at Tarbiat Modaress University in Tehran and Art in Public Realm at Konstfack Stockholm. In his research-based art practices, Khosravi-Noori emphasizes on micro history and narrative strategy within hyper-politicized socio-political milieus in films and time-based materials. His recent exhibition include: 2017: Accessing Utopia, Venice Bienale, Research Pavilion; A Short Story about A Cat, Tranzit Iash, Romania; Around About, Khalil Sakakini Cultural Center, Ramallah, 2016: Aran Gallery, Tehran, The life of an itinerant through a pinhole; Skånes konstförening, Lund, 2014: Incandescence, Tensta Konsthall, Stockholm; 2013: Vibration, Tensta Konsthall,and Konstfack, Stockholm, and 2012: The Black eyes of Bruce Lee, MKC, Stockholm. Currently, he is holding a PhD position at Konstfack in collaboration with school of architecture at Royal Collage of Technology KTH in Stockholm. Khosravi-Noori lives and works in Stockholm.
Organizer:
Supported by:
Sponsors:
Project is produced by Marabouparken in collabration with Malmö konstmuseum and Konstfack.
Exhibition opening hours:
Wednesday: 11-19h; Thursday: 11 am-5pm; Friday: 12-19h; Saturday: 10 am-4pm; Sunday: 11-16h
The gallery is closed on Mondays, Tuesdays and public holidays.
The exhibition remains open until September 6, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors.
Visitors are required to maintain a distance of 2 meters.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.
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