MONIKA ELIETTE JANDL I LUKA TOMIĆ
MOVING PARTICLES
15.-28.7.2025.
KARAS GALLERY
On Tuesday, 15.7.2025. Monika Eliette Jandl and Luka Tomić open their solo exhibition entitled Moving particles. at 7 pm in Karas Gallery (Ulica kralja Zvonimira 58).

In his foreword, Josip Zanki emphasizes:
„In 2024, a collaboration was initiated between the Austrian art collective Gruppe 77 and the Croatian Association of Fine Artists (HDLU). The collaboration takes the form of a Double Act – joint exhibitions featuring one Croatian and one Austrian artist, first at the PLÜ23 Gallery in Graz, followed by a second-year exchange at the Karas Gallery in Zagreb. Luise Kloos, a member of Gruppe 77, and Josip Zanki, Vice President of HDLU, selected the first two artists for this project: Monika Eliette Jandl and Luka Tomić. Their work was first showcased last autumn at the PLÜ23 Gallery in Graz as part of the Moving Practicels exhibition, and the collaboration now continues under the same title at the Karas Gallery in Zagreb. (…)
The works of Jandl and Tomić communicate through contrasts: while Jandl creates imagined fragments, parts of hypothetical ruins, Tomić intervenes in an actual ruin, using fragments and also exhibiting them in the gallery; while Jandl avoids meanings and starts from the negation of the image – iconoclasm, Tomić builds everything on meaning and the narrativity of images; while Jandl uses the whiteness of the wall by exhibiting reduced formats, Tomić uses the floor and disrupts that same whiteness of the wall with a screen. In the most wondrous part of the poetics of these two vastly different works, the artists touch upon the temporality of ruins and the beauty of fragments. After emptiness, wars, destruction, misunderstanding, and transience, all that remains are the remnants that record time, amorphous and temporal fragments that are cleansed but also imbued with meaning.”
Biography:
Monika Eliette Jandl is an Austrian artist working across various media. She studied at the Mozarteum University Salzburg. Her artistic practice encompasses ceramics, textiles, performance, installation, and drawing. Since 2020, she has been a member of Gruppe 77. She has participated in several exhibitions in Austrian cities, including Graz, Salzburg, Vienna, and Dornbirn.
Luka Tomić (b. 1995) is a multimedia artist from Zagreb who completed his undergraduate studies in New Media and Animation at the Academy of Fine Arts in Zagreb in 2023. His artistic practice includes drawing, painting, illustration, street art, tattooing, graphic arts, performance, installation, and land art. He has had two solo and numerous group exhibitions and projects both in Croatia and abroad. He has been a member of the Croatian Association of Fine Artists (HDLU) since 2020 and of the Croatian Freelance Artists’ Association (HZSU) since 2024.
The exhibition will be open during the period from 15. to 28.7.2025.
Working hours of Karas Gallery
Wednesday, Thursday, Friday 4pm – 8pm
Tuesday, Saturday 10am – 1pm
On Sundays and Mondays closed.
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http://karasarthub.eu
Organizer: HDLU
With the support of: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb
European Month of Creativity
Curator: Antonela Solenički
Artists: Marlen Ban, Sanda Črnelč, Josip Kresović, Stela Mikulin, Branimir Štivić

The Croatian Association of Fine Artists, for this year’s European Month of Creativity as well, within the EU project CreART 3.0, has organized a small festival of contemporary art in business premises – TAKEOVER.
Emerging artists (Marlen Ban, Sanda Črnelč, Josip Kresović, Stela Mikulin, Branimir Štivić), selected by the curator Antonela Solenički, “took over” spaces within recognized companies operating in or related to the fields of cultural and creative industries (Brigada, Google Hrvatska, Grupa, Intera, and architectural studio Randić and Associates).
During the artwork selection process, the curator considered both the typologies of the spaces encountered in the project and the production of content within those spaces, aiming to establish a content-related interaction between the artistic projects presented and the employees who will encounter these projects on a daily basis.
The artists exhibited their works in the companies and presented their work to the employees. Each intervention was also presented to the public through open-door events and conversations with the artist.
ARTISTIC INTERVENTIONS:
Marlen Ban, No Time for a Revolution
Location: Intera, Ulica kralja Držislava 8, Zagreb
No Time for a Revolution poses the question of the contemporary social condition through the statement Nobody is going to start a revolution. This seemingly passive message opens space for a critique of the status quo, where systemic control, censorship, and the normalization of authoritarian practices diminish faith in the possibility of change. The work oscillates between personal reflection and collective uncertainty, questioning why – despite access to information and technology – we remain passive in the face of injustice and dehumanization. It does not call for a revolution, but for reflection: why does revolution feel so distant? Without taking a direct political stance, the aim is to encourage the viewer to question power, identity, and everyday passivity, and to open a space for critical dialogue about social norms we often take for granted.

Sanda Črnelč, I Discovered Something Between Two Bricks
Location: Grupa Showroom, Ul. popa Dukljanina 1, Zagreb
Space and object—motifs that conceptually connected the artist’s previous works—initiated the creation of a new idea, one that visually leans towards abstracting form and conceptually towards self-reflection. By abandoning the brick as a motif, the artist delves into the painterly potential of color and volume, aiming to confront her own fear of taking up space.

Josip Kresović, Ti si bija baš sritno dite (You Really Were a Happy Kid)
Location: Brigada, Nova ves 17 – Centar Kaptol, 2. kat, Zagreb
The spatial installation You Were Such a Happy Kid is a collection of materialized sensory memories of a single moment during childhood. At the same time, it is a record of nervous gestures, rituals of cleaning, scratching, peeling—a channel for anxious energy that is pathologically released because no one ever showed it where to go. It’s also about music you can’t hear, perhaps best evoked by that visceral reaction of body and mind when you catch a whiff of a long-forgotten perfume, and shivers rush over you. The starting point of the work is an event—chronologically blurred but clearly etched. Someone is singing. It’s hot. You’re being watched. Your fingers in your pockets try to reach the femur. Your skin stops them. It burns. You don’t feel it. You’re fine.

Stela Mikulin, Intimate Dialogue
Location: Randić and Associates, Palmotićeva ul. 60, Zagreb
In a space where dialogue has yet to emerge, the Intimate Dialogue project creates a quiet site of anticipation. Instead of presenting a finished form, it builds an open platform with questions inviting migrants to define the direction of the conversation themselves. The platform is not a representation, but a preparation for encounter—avoiding imposition. Inspired by Jean-Luc Nancy’s concept of being-in-encounter, it materializes the anticipation of the other without speaking on their behalf. The analog part of the work—questions, illustrations, and photo collages—documents the artist’s personal process, her introspection, and awareness of the limits of her own perception. The platform remains a framework for a dialogue yet to come.

Branimir Štivić, DOTWORK [256x320px]
Location: Google Hrvatska, Strojarska ul. 20, Zagreb
DOTWORK [256x320px] is a generative video installation composed of low-resolution LED screen modules. By mounting the screens into three-dimensional objects made of aluminum structures and 3D-printed plastic with attached LED modules and electronics, the work explores the physicality of pixels and their “invisibility” within the framework of consumer electronics. Through the combination of multiple monochromatic layers with the use of dithering and dot-matrix algorithms, a low-resolution image emerges that explores the graphic potential of the dot grid. The 3mm spacing between individual pixels—common in advertising panels—is much larger than that of modern screens on phones, computers, and smartwatches, allowing for the observation of light as the constructive element of screens, which also functions as ambient lighting in the space.

About the curator:
Antonela Solenički is an independent curator and researcher. She holds a degree in Visual Arts and Curatorial Studies from NABA in Milan, and a bachelor’s degree in Art History and Spanish Language and Literature, which she studied in Zagreb. As part of the NOVAci project, developed in collaboration between WHW and Pogon, she curated the exhibition At the Tip of the Tongue (2022) at Gallery Nova in Zagreb. She is currently working as a curator at the Miroslav Kraljević Gallery in Zagreb.
About the artists::
Marlen Ban (b. 1999) completed her undergraduate studies at the Department of Animated Film and New Media at the Academy of Fine Arts in Zagreb. She is currently finishing her studies in Public Administration at the Faculty of Law, University of Zagreb. Since May 2025, she has been doing an internship at the Office of the Ombudsperson for Gender Equality. She works as a production assistant at the Miroslav Kraljević Gallery and leads art workshops at the Together Association and Club, part of the Sveti Ivan Psychiatric Hospital.
Sanda Črnelč (b. 1997, Zagreb) graduated in 2023 from the Academy of Fine Arts in Zagreb, Croatia, Department of Art Education, Painting program, in the class of Assistant Professor Marko Tadić, Art.D. She is the recipient of the Rector’s Award for a group art project in the 2017/2018 academic year at the Academy of Fine Arts, University of Zagreb, as well as a scholarship from the Chinese Government for the 2019/2020 academic year within the funded IMFA program, during which she spent a year at the China Academy of Art. In 2024, she was a participant of the sixth generation of the WHW Academy.
Josip Kresović (b. 1992, Zadar) is an interdisciplinary artist and psychologist. In 2018, she earned her Master’s degree in Psychology from the University of Zadar, specializing in the psychology of art, focusing on visual-aesthetic sensitivity and the relationship between art and mood. Alongside her studies, she developed her own artistic practice. In 2023, in collaboration with the Croatian Museum of Naïve Art, she received the ICOM award for her work Sun Worker, and in 2024, following her participation in the Youth Salon exhibition Situation, she was awarded a special recognition by the Croatian Association of Fine Artists for her work titled 11.
Stela Mikulin (b. 1996) is a visual artist and holds a Master’s degree in Art Education. She graduated from the Academy of Fine Arts in Zagreb. She has participated in international projects such as ECO CURVE and Soundgate Zagreb, and was a participant in the fourth generation of the WHW Academy. She is the recipient of the Izidor Kršnjavi plaque awarded by the Department of Art History at the Faculty of Humanities and Social Sciences in Zagreb.
Branimir Štivić (b. 1991, Cerić) He graduated in New Media from the Academy of Fine Arts in Zagreb (2021) and in Information and Software Engineering from the Faculty of Organization and Informatics in Varaždin (2015). He has exhibited in numerous solo and group exhibitions and is the recipient of the MSU professional award at the 37th Youth Salon and the Golden Watermelon 7.0 award.
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The Takeover program provides art with the opportunity to “coexist” with the bustling everyday life of workspaces. In doing so, artistic works become active participants in the non-artistic world, blurring the sharp boundaries between the corporate and artistic sectors, while retaining their ever-present power to reshape our reality.
More about Takeover at: www.takeover.hdlu.hr
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CreArt is a network of 13 medium-sized European cities aimed at exchanging experiences and best practices to promote contemporary art through a continuous transnational mobility program for emerging artists, curators, and cultural workers, in order to maximize the economic, social, and cultural contributions that creativity can bring to local communities. At the same time, CreArt 3.0 pushes boundaries beyond visual arts, empowering other artistic practices such as performing arts or music, and has also initiated a new collaboration with a non-governmental organization based in Lviv to support Ukrainian artists. The participating cities are: Kaunas, Liepaja, Skopje, Aveiro, Valladolid, Lublin, Venice, Clermont-Ferrand, Rouen, České Budějovice, Oulu, and Regensburg. The project includes 45 residency programs in 15 European cities, over 39 public events to celebrate the European Month of Creativity in 13 network cities, 13 educational programs to strengthen creativity and knowledge of contemporary art, 18 Street Art festivals, 10 annual festivals in galleries in 9 cities, and 6 European conferences and study visits.
Within the project:
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Co-funded by:
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Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]
Project is co-financed by the Government Office for Cooperation with NGOs.
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.

City of Skopje and Public cultural institution Cultural informative center (‘The Organisers’) are announcing an Open call for Artist in residence that will take place in Skopje in Cultural informative center from 15 of September until 15 of October 2025.
This Artist in Residence program is within of framework CreArt. Network of Cities for Artistic Creation, and it is consist of residence of 2 artists of younger generation: one artist from the cities within CreArt. Network of Cities for artistic creation city partner and one artist form Skopje, to be selected through this Open Call.
The CreArt Artist in residence in Skopje will take place at public cultural institution within of framework of City of Skopje Cultural Informative Center, located in the city center in Skopje from September, 15th 2025 to October 15th 2025
The Open call will be open until 10th of July.
WHO CAN APPLY?
CONDITIONS AND GRANT
DOCUMENTS REQUIRED
The applicants must provide within a one document PDF:
Online application form: https://creart2-eu.org/open-calls/
If you have any question please contact kultura@skopje.gov.mk
Deadline: Thursday, July, 10 th, 2025.
Only applications with complete information will be accepted. The artist will be selected by the local curators.
All participants will be informed after 20th of July. The shortlist will be published in the CreArt website.
The Participation in this call implies the acceptance of these conditions, and the artist selected should include then in their CV and in all future communications (press, digital media), that they have been selected to participate in the CreArt’s Artist in Residence in Skopje as a part of CreArt.Network of Cities for Artistic Creation, project co-funded by the European Union.
Cultural informative center (KIC) Is a public cultural institution within of network of institutions founded by City of Skopje.
Within it’s working activities more than half of the century Cultural informative center (KIC) daily continuous create cultural values, consumers, “addicts” of the created values, promotion and affirmation of Macedonian culture and art in Europe and in the world of :
Music – on the stage of the first and only chamber space, the cult chamber theatre “Salon 19’19” and all over Macedonia and Europe, organized and coordinated more than 2 000: chamber concerts, recitals, jazz concerts, sound carriers…
Theater – on the stage of the cult chamber theatre “Salon 19’19” ac drama performances, comedy, monodrama, children’s drama studios, were happening .
Fine Art – Known as First Art Gallery in Macedonia where art exhibitions, performances, art studios, graphic atelier and many macedonian and foreign artist had exhibition .
“KUL-PARK” – numerous multimedia projects, performances, concerts.
Literature – the Macedonian, European, worldly written word:
theater poetry, dramatic recitals, publishing of new literary editions in their own production, meetings with authors, monodrama presentations, critical reviews for authors, works and / or related themes, artistic performances of parts of works, as well as direct dialogue with consumers of this kind of art …
KIC organize also multimedia spectacles – cultural and historical manifestations – “DAYS OF YUSTINIAN”, public debates and debates on current social trends, seminars, information and other multimedia and multicultural events.
Within the project:
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Co-funded by:
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Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]
Project is co-financed by the Government Office for Cooperation with NGOs.
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.

Residency from October 13 to December 15, 2025 in Clermont-Ferrand, France
Application deadline: July 5, 2025
As part of the CreArt network, the City of Clermont-Ferrand in France is organizing a two-month residency for 3 visual artists of younger generation at Chalet Lecoq. It will select 2 artists from the CreArt network and 1 from Clermont-Ferrand.
Chalet Lecoq
Both in the center of town and in an atypical location in the middle of a public garden, the Chalet Lecoq invites reflection on the relationship between nature and the urban, in a place frequented by residents of all ages (families, students, senior citizens…). The Chalet Lecoq is the former janitor’s house of the Jardin Lecoq, a park located in the heart of the city. The Chalet welcomes international artists in residency throughout the year. It offers a privileged setting, with a two-bedroom apartment and a fully-equipped workspace.
For this two-month residency, le Chalet Lecoq will host the two European artists for the accommodation and workspace, and the Clermont-Ferrand artist for the workspace.
RESIDENCY CONDITIONS
• residency grant: 3 000 € / artist for the two-month residency (1 500 € / month)
• production costs: 600 € / artist
• for European artists, reimbursement of round-trip travel expenses (up to 500 € )
• an end-of-residency presentation may be organized, in discussion with the artists hosted.
TO APPLY
• Being born or resident in one of the following cities: Kaunas (Lithuania), Liepaja (Latvia), Skopje (Northern Macedonia), Aveiro (Portugal), Valladolid (Spain), Lublin (Poland), Venice (Italy), Rouen (France), Ceske Budejovice (Czech Republic), Oulu (Finland), Regensburg (Germany) ;
• Members of Croatian Asociation of Fine Artists (HDLU)
• Application open to Ukrainian artists thanks to cooperation with the Lviv Art Council “Dialog”.
DOCUMENTS TO BE SUBMITTED IN ENGLISH
In a single PDF document:
• identity card or passport – and residency certificate if required
• a short version of your CV (one A4 page)
• an artist’s portfolio, recent and related to the project (maximum 10 pages and 10 images, you can include links)
• a short written project proposal (one A4 page) explaining why you would like to carry out a residency in Clermont-Ferrand and what this would bring to the artist’s work.
Applications must be submitted via the artists’ platform on the network’s website: https://creart2-eu.org/open-calls/
APPLICATION DEADLINE: JULY 5, midnight
Artists will be selected by a jury of Clermont-Ferrand contemporary art professionals. Particular attention will be paid to selecting artists whose work may reveal forms of connection.Announcement of selected candidates: July 18, 2025
Within the project:
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Co-funded by:
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Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]
Project is co-financed by the Government Office for Cooperation with NGOs.
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.

Open call for artistic residency in Lublin.
The city of Lublin invites two artists of younger generation to work creatively as part of the Open Form festival organized, among others, in the innovative artistic space – The Academy of Modern Art in Lublin. The artistic residency, which will last from August 22 to 31, 2025, is carried out as part of the Annual Festival, which is part of the CreArt 3.0 project, co-financed by the European Union’s Creative Europe program.
The Academy of Modern Art is a one-of-a-kind project, open to various forms of artistic expression: from murals, through music, to social activities. The Academy focuses on authenticity and inclusiveness, and its idea is community – created by people with passion. More info
RESIDENCY DURATION: 10 days
RESIDENCY DATES: August 22-31, 2025
DADLINE FOR APPLICATIONS: June 30, 2025
WHO CAN APPLY?
We invite artists of younger generation working in the field of visual arts, with particular emphasis on practices related to public space: graffiti, street art, murals, installations, typography and site-specific activities. We are interested in works created at the intersection of disciplines, combining different media, techniques and perspectives, also from the area of graphic design, photography, text and performative activities.
We are looking for people who engage in dialogue with their surroundings, work sensitively towards the context of the place and are open to cooperation with the local community. The works may have the character of interventions, urban collages or ephemeral activities, and their form and location will be determined jointly during curatorial talks. It is possible to create works both before and during the event.
GRANT AND CONDITIONS
DOCUMENTS
The following attached documentation is required in a single PDF document:
APPLICATION
Only complete and timely applications will be considered. Artists will be selected by a jury of Lublin contemporary art professionalists. The committee is not obliged to provide reasons for its decision. The shortlist will be published on the CreArt website on July 7, 2025. The participation in this call implies the acceptance of these bases, and the artists selected should include a reference in all their future communications that they have been selected to participate in the CreArt Artists in Residence program in Lublin, project co-funded by the European Union – Creative Europe program.
In case of any questions, please contact: creart3.0@lublin.eu.
CITY OF LUBLIN
Lublin is a medium-sized city in eastern Poland. It is a thriving scientific and cultural center. Considered a city at the crossroads of Eastern and Western culture, in the past it had an international character, with a large Jewish population living here. Lublin is home to numerous cultural institutions, museums and galleries, as well as non-governmental organizations that animate cultural life. There are large festivals such as Carnaval Sztukmistrzów, Night of Culture, East Of Culture – Different Sounds and others. Lublin is competing for the title of European Capital of Culture 2029.
Within the project:
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Co-funded by:
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Co-funded by the European Union – CREA-CULT-2023-COOP. The views and opinions expressed are solely those of the authors and do not necessarily reflect the official views of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Commission can be held responsible for them. [Project number: 101128499]
Project is co-financed by the Government Office for Cooperation with NGOs.
The views expressed in this announcement are the sole responsibility of HDLU and do not necessarily reflect the opinion of the Government Office for Cooperation with NGOs.
ANDREJ DROŽĐAN
HELP, WHERE’S THE EXIT FROM THE RESTAURANT
17.6.-8.7.2025.
KARAS GALLERY
On Tuesday, 17.6.2025. Andrej Drožđan opens his solo exhibition entitled Help, Where’s the Exit from the Restaurant at 7 pm in Karas Gallery (Ulica kralja Zvonimira 58).

In her foreword, Iva Jurić emphasizes:
„In the work Help, Where’s the Exit from the Restaurant, Andrej Drožđan constructs a charged atmosphere of being stuck – an installation that, through an imaginary restaurant, becomes a place of the impossibility of forgetting, letting go and escaping. The starting point of the work is the scenes evoked by contemporary pop songs, those that depict inner stagnations and moments of breakups, where emotions are trapped in space and time. Inspired by the image of a person left at a restaurant table, both literally and emotionally, Drožđan explores spaces in which emotions are not processed but persistently accumulated, displaced and revived. This is a place of stagnation, an emotional crossroads, where time stops flowing, and experiences remain served like an unfinished plate. The restaurant, typically a space for shared meals and encounters, is here transformed into a metaphorical interior of inner states, a landscape of nostalgia, loss and quiet discomfort.”
Biography:
Andrej Drožđan (Zagreb, 1997) is a visual artist whose practice includes installation, illustration, photography, and graphic design. His work explores the concept and aesthetics of the everyday, the influence of the digital sphere on individual perception, and the presence of pop culture in contemporary life. Over the past few years, he has participated in numerous group and solo exhibitions, as well as various creative projects. In 2022, he earned his Master’s degree in Animated Film and New Media from the Academy of Fine Arts in Zagreb. His thesis project, Konekcija memorija (Connection of Memories), was awarded the Academy Council Prize and subsequently exhibited in a solo exhibition at Šira Gallery and as part of the 37th Youth Salon.
The exhibition will be open during the period from 17.6. to 8.7.2025.
Working hours of Karas Gallery
Wednesday, Thursday, Friday 4pm – 8pm
Tuesday, Saturday 10am – 1pm
On Sundays and Mondays closed.
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http://karasarthub.eu
Organizer: HDLU
With the support of: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb
The project “Healing Nature – Animation for Health and Well-being in Children’s Hospital Environments” continues its successful development and implementation in partner hospitals across Europe. The project aims to enrich pediatric hospital environments with interactive artistic installations, including nature-inspired murals and augmented reality (AR) animations, thereby creating a visually and emotionally soothing atmosphere for children and their families.

Croatia – Sisters of Charity University Hospital Centre, Zagreb
The Sisters of Charity Hospital (KBC Sestre milosrdnice) is one of the oldest hospitals in Southern Europe, founded in 1846 through the initiative of Cardinal Juraj Haulik, the Archbishop of Zagreb. The current campus on Vinogradska Street was developed in 1894 by German architect Kuno Waidmann. The hospital was run by nuns for many decades and has since evolved into a modern clinical centre with 17 clinics, 7 specialized institutes, and over 2,300 staff members. It also serves as an educational facility for medical, dental, and nursing schools.

Murals will be installed on three walls within the Pediatric Department of the Oncology Clinic.

Bulgaria – ISUL “Queen Joanna” University Hospital, Sofia
The University Multiprofile Hospital “Queen Joanna – ISUL” has a rich history dating back to 1927, when it was established as a hospital for insured workers. Construction began in 1934, and it was named in honor of Queen Joanna, who became its symbolic patron. Since the 1950s, ISUL has grown into a key academic and medical institution, offering specialized diagnostics, treatment, and education. It is home to the only pediatric ENT department in Western Bulgaria, where cochlear implants are also performed.

Mural locations at ISUL include: The entrance to the Pediatric Hematology and Oncology Clinic, The entrance to the Pediatric ENT Department, The entrance to the Pediatric Emergency Department, The corridor of the Emergency Unit. Three of these four locations will be used for murals and AR content, with active involvement of hospital staff and patients in assessing the project’s impact.

Portugal – Dona Estefânia Hospital, Lisbon
Founded in 1877 in honor of Queen Stephanie, Dona Estefânia Hospital was the first healthcare facility in Portugal dedicated exclusively to pediatric care. Its design was praised by Florence Nightingale as a model children’s hospital. Today, it is part of the Central Lisbon University Hospital Centre and offers a wide range of national pediatric specialties. By 2027, its services are expected to relocate to a new hospital complex, while the current building will continue to host child-focused care facilities.

Mural locations include: The ENT waiting room, the Immunoallergology waiting room, and the Pediatric Emergency waiting room

Next Steps
The project is currently in the mural preparation phase. This includes wall preparation, mural printing and installation, and the development of AR animations that will create a multi-layered, interactive, and engaging experience. All participating hospitals will conduct surveys to evaluate the impact of these interventions on children, parents, and staff, alongside public promotional activities and dissemination of results.
Through Healing Nature, we aim to bring art to the spaces where it is most needed – where children, families, and healthcare workers face some of life’s most difficult moments. Art, play, and technology become tools for healing, comfort, and connection.
Within the project:


Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.
[Project Number: 101173267]
Project is co-financed by the Government Office for Cooperation with NGOs.
Co-funded by the Government Office for Cooperation with NGOs of the Republic of Croatia. The views expressed in this release are the sole responsibility of the Croatian Association of Fine Artists and do not necessarily reflect the stance of the Government Office for Cooperation with NGOs of the Republic of Croatia.