CONFERENCE
Visita Interiora Terrae: Myth and Alchemy as an Art Practice

The science conference within the project Visita Interiora Terrae: Myth and Alchemy as an Art Practice will be held in the large lecture hall of the Academy of Fine Arts, University of Zagreb on Thursday, September 2, 2021, starting at 17.00.
Hrvoje Čargonja, Rodrigo Fernández de Gortari, Maja Flajsig and Josip Zanki, Ana Ortiz Sánchez Renero and Miguel Vassallo will exhibit their works.
The conference will be held in English.
ANDREA RESNER
Rhymes of the White Crow: The Epilogue
Prsten Gallery
August 27 – September 16, 2021

Exhibition opening: August 27, at 8PM
Preface – MYTH AND IDENTITY, Jasmina Šarić
Andrea Resner Biography
Organizer:
![]()
Supported by:


Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday: 10 am to 1 pm
Sundays, Mondays, Tuesdays
Ismar Čirkinagić (Bosnia and Herzegovina / Denmark)
The House in a Forest on a Coast
Bačva Gallery, Home of HDLU (Meštrović pavilion)
July 22-August 22, 2021

The opening of the exhibition by ISMAR ČIRKINAGIĆ, THE HOUSE IN A FOREST ON A COAST will be on Thursday, July 22 at 8pm, in Bačva Gallery, Home of HDLU (Meštrović pavilion).
“The House in a Forest on a Coast is a total installation composed of elements in various media of art. Horizontally, there is a representation of a house foundation covering the floor, whereas a large-scale representation of sails on a ship is vertically stretched out towards the ceiling, amid which a sound piece auditorily unites the two aces by veiling over all the exhibited components and resonating in the space between them. […] According to the artist, this systematic display of debris is a “re-enactment” of the Obsessive-Compulsive Disorder (OCD) routine, which often appears as a consequence of Post-Traumatic Stress Disorder (PTSD). Just as the debris convey memories about places that no longer exist in their original form, the clothes convey memories of bodies and persons who were once wearing them. The sails are, namely, sewn from the clothes that belonged to people who died as victims of violence with political backgrounds, such as armed conflicts, terrorist attacks and forced migration.
[…] The result is an artistic organisation of mnemonic elements from different geographical and historical contexts on display next to one another, which invites the viewer to interpret the exhibition from the transcultural perspective of humankind, rather than from specific national orientations. [The artist’s] desire is to show the universality of the human experience by focusing on similarities rather than differences among humans. […] Oneness with humanity is thus the key to unlocking The House in a Forest on a Coast. “
from the preface, written by the curator Tijana Mišković
ABOUT THE ARTIST:
Ismar Čirkinagić was born in 1973 in Prijedor, Bosnia and Herzegovina, which was a part of the Socijalist Federal Republic of Yugoslavia. He came to Denmark in 1992, following the breakdown of the country and the brutal campaign of ethnic cleansing in his region of Northwestern Bosnia and Herzegovina. In 1997 Čirkinagić enrolled at the Copenhagen Art School and remained there until 2000 when he was admitted to The Royal Danish Academy of Fine Arts. Most of his artistic practice is thematically related to the socio-political themes and mainly produced in the form of a conceptual installation consisting of videos, photos, texts, and object-based elements. In recent years he has had exhibitions in museums and kunsthalle in Denmark and internationally. Čirkinagić’s artworks can today be found in several Danish public collections.
Wednesday – Friday: 11am – 7pm h
Saturday and Sunday 10am – 6pm h
Mondays, Tuesdays and holidays closed
Exhibition will be opened until August 22, 2021.

Special thanks to:
Afghanistan: Guilda Chahverdi, Mohsin Taasha and Jawad Zawulistani from Afghanistan Human Rights and Democracy Organization, The Royal Danish Embassy in Afghanistan
Croatia: Udruga Kamensko
Egypt: Embassy of Denmark in Egypt, Khaled Ramadan and Yara Mekawei
El Salvador, Guatemala, Honduras: Marcela Turati from Quinto Elemento Lab, Analorena Delgadillo, Marisol Méndez, Alicia Moncada Acosta (Glenda Pineda, Eva Ramírez, Cecilia del Carmen Avalos Guillen) from La fundación para la justicia y el estado democrático de derecho.
Israel/Palestine: Parents Circle – Families Forum
Northern Irland: MAC and Paul ‘Donzo’ Donnelly from Dead Centre Tours
Serbia: Meris Mušanović and Ivana Zanić from Humanitarian Law Center
Syria: Zenia Bredmose Henriksen Ab Yonus and Hosam Aldeen Ghathwan
Uganda: Ndugwa Hassan from UMYDF
Ukraine: Embassy of Denmark to Ukraine, Georgia and Armenia, Iryna Polikarchuk from ARTSVIT
DOMAGOJ BURILOVIĆ
TERRAFORMING
Karas Gallery, Kralja Zvonimira 58
October 22 – November 3, 2020
Following all recommendations of the National Civil Protection Headquarters, exhibition TERRAFORMING, by Domagoj Burilović, will be opened on Thursday, October 22 at 7 pm at the Karas Gallery (Kralja Zvonimira 58).
Terraforming is the hypothetical process of modifying a celestial body to make it as similar to the Earth as possible. In the 14 photographs of Slavonia, taken by Domagoj Burilović and exhibited in his solo exhibition at the Karas Gallery, mystical landscapes and alien, deserted lands emerge before us. They show something else as well, certainly something visible, but also something invisible: something like a trace. (Wittgenstein). Life has dematerialized before our eyes, but it has left invisible traces that make us or at least should make us question the real existential problems, the problem of the survival of an entire region. Golden Slavonia, the belly of Croatia, a historically rich region to which the people from other parts of Croatia used to move, leaving the sea view behind in search of fertile soil. The region that meets all the preconditions to become the richest, and not one of the two poorest regions in Croatia. Domagoj hints at these traces in the seemingly invisible, interrogates, exclaims….
This series is in line with Domagoj’s interest in social and political issues, serious topics and transience and history – both of an individual (Post Factum exhibition) and of an entire region, in this case, his native Slavonia.
From preface, written by Nika Šimičić
ABOUT THE ARTIST
Domagoj Burilović
Born in 1987 in Vinkovci. He graduated in painting in 2012 at the Academy of Arts in Split.
He is engaged in conceptual art photography. Through artistic work he deals with social and political topics.
Selected group exhibitions: 2019 HT Award – Museum of Contemporary Art, Zagreb, 2019 Triennial of Extended Media, Belgrade, 2017. Photodays finalists – Museum of Arts and Crafts, Zagreb, 2016 3rd Biennial of Croatian Young Photography, Zadar, 2013. Split Salon, Split, 2012. Triennial of Croatian Sculpture, 2012. Galić Gallery, Split,…
Solo exhibitions: 2020. Galić Salon, 2019. PIK Gallery, Rab, 2019. Photon Gallery, Ljubljana, 2018. Museum of Arts and Crafts, Zagreb, 2018. Italian Community of Rovinj, Rovinj, 2013. Rovinj Homeland Museum, Rovinj, 2012. Art Gallery, Split, 2007. Multicultural Center, Županja.
Awards: 2017: Grand Prix Rovinj Photodays, 2017. 1st place for the artistic concept Rovinj Photodays, 2017. 2nd place at the Vinkovci Photography Salon, 2012, Award for the young artist, Rovinj Homeland Museum, Rovinj.
Work “Post Factum” included in the collection of the Museum of Arts and Crafts.
Organizer:

Supported by:

Working hours:
Wednesday – Friday: 3 pm – 8 pm | Saturday: 10 am to 1 pm
Sundays, Mondays, Tuesdays and holidays: closed.
The exhibition will remain open until November 3, 2020
*Remark*
At the entrance to the Gallery there is a bottle with a disinfectant for visitors, which are obliged to disinfect their hands when entering the Gallery.
The security guard at the entrance to the Gallery will have a protective mask and gloves and control the number of visitors. The Gallery can hold up to 5 people at a time.
Visitors are required to maintain a distance of 2 meters.
Touching the exhibits is not allowed.
Doorknobs and any other surfaces that are frequently touched by visitors will be regularly disinfected.